Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-29T00:44:45.123Z Has data issue: false hasContentIssue false

The Dark Master, Kuro Tanino

Onsite VR Contemporary Theatre

Published online by Cambridge University Press:  16 June 2022

Abstract

In Kuro Tanino’s play The Dark Master (Daaku Masudaa), a person arrives at a rundown restaurant (yOshokuya) in working-class Osaka and orders typical Japanese comfort food from a crochety old “master.” Kuro’s 2020 VR theatre version of the play, Daaku Masudaa VR, reanimates the atmospheric setting of the restaurant and heightens its grotesque sensibilities. Using the extreme disorientation and intimacy of VR goggles and headphones, he creates threatening feelings of immersion.

Type
Critical Acts
Copyright
© The Author(s) 2022. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

Creed, Barbara. 1993. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge.Google Scholar
Dumas, Raechel. 2018. “Monstrous Motherhood and Evolutionary Horror in Contemporary Japanese Science Fiction.” Science Fiction Studies 45, 1:2447. doi.org/10.5621/sciefictstud.45.1.0024.CrossRefGoogle Scholar
Eckersall, Peter. 2006. Theorizing the Angura Space: Avant-garde Performance and Politics in Japan, 1960–2000. Leiden: Brill Academic.CrossRefGoogle Scholar
Nakamura, Miri. 2015. Monstrous Bodies: The Rise of the Uncanny in Modern Japan. Cambridge, MA: Harvard East Asian Monographs.Google Scholar
Performing Arts Network Japan. 2021. “An Interview with Kuro Tanino Revealing a new ‘With Corona’ Perspective.” 22 March. Accessed 19 January 2022. www.performingarts.jp/E/art_interview/2102/1.html.Google Scholar
Sorgenfrei, Carol Fisher. 2005. Unspeakable Acts: The Avant-Garde Theatre of Terayama Shuˉji and Postwar Japan. Honolulu: University of Hawai‘i Press.CrossRefGoogle Scholar
Terayama, Shuji. 1975. “Manifesto by Shuji Terayama.” TDR 19, 4 (T68):8487. doi.org/10.2307/1145021.Google Scholar
TPAM. 2017. “Program: Dark Master.” Accessed 19 January 2022. www.tpam.or.jp/2017/en/?program=niwa-gekidan-penino.Google Scholar
Wakeling, Corey. 2018. “Rescaling the Private: Extimate miniaturization in the theatre of Niwa Gekidan Penino.” Performance Research 23, 8:5966. doi.org/10.1080/13528165.2018.1573062.CrossRefGoogle Scholar

TDReadings

Eckersall, Peter. 2000. “Japan As Dystopia: Kawamura Takeshi’s Daisan Erotica.” TDR 44, 1 (T165): 97108. doi.org/10.1162/10542040051058924.CrossRefGoogle Scholar
Marshall, Jonathan W. 2013. “The World of the Neurology Ward: Hauntology and European Modernism mal tourné in Butoh.” TDR 57, 4 (T220):6085. doi.org/10.1162/DRAM_a_00303.CrossRefGoogle Scholar