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Musical Aspects In Today's Musical Theatre: A conversation between Pierre Boulez and Zoltán Peskó

Published online by Cambridge University Press:  04 February 2010

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Extract

I think that any search for new relations between music and theatre has to start from a negative remark: before setting a new goal, we must be sure to set aside those previously reached. Only after this can we try to shape or to renew a global conception, in a sense comparable to the old ‘Gesamtkunstwerk’, the purpose being that of subsuming music as a part of a more general plan. This is why today we often have the impression that music is not the most important factor in our experiments any more.

Type
Discussion
Information
Tempo , Issue 127 , December 1978 , pp. 2 - 9
Copyright
Copyright © Cambridge University Press 1978

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