In December 1800 the Evangelical Magazine published a ‘Spiritual barometer; or, a scale of the progress of sin and of grace’. Towards the positive pole it was calibrated with the attributes and practices thought to characterise those destined for ‘glory’ and ‘dismission from the body’; at the other extreme, graded in degrees of depravity, were the activities of those assumed to be heading heedlessly to ‘death’ and ‘perdition’. Among the most heinous of sins, even more damning than attendance at the theatre, was ‘love of novels’.
Novel-reading was condemned as a hallmark of worldliness. Evangelicals believed that church and world were diametrically opposed and that the safest route to sanctity lay in separation from the world, its contaminating company and perverting practices: ‘If we are not to think, to feel, to act, and to perish with the world, let a deep and wide interval yet exist between the habits of pleasure of the two parties.’ Ignorance of evil was deemed bliss: to read novels was to become familiar with just such beliefs and behaviour as were avoided in everyday life. Moreover, it was argued that novelists rarely upheld Christian values: they depicted wickedness sympathetically and effectively denied that sin, an affront to God, had dire consequences. They therefore misled their readers in matters of ultimate importance. Evangelicals maintained that the worthiness of characters should be evaluated according to criteria which God might be assumed to adopt. Failure to reflect a biblical outlook on life was a culpable misrepresentation of reality.