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Writing the Sabbath: The Literature of the Nineteenth-Century Sunday Observance Debate

Published online by Cambridge University Press:  04 January 2016

Martin Spence*
Affiliation:
International Christian College, Glasgow

Extract

‘It was a Sunday evening in London, gloomy, close and stale.’ I This line from Charles Dickens’s Little Dorrit encapsulates the common view that the nineteenth-century Sabbath was a tedious, gloomy and tiresome institution that embodied the full weight of Victorian Britain’s old-fashioned, sombre and somewhat hypocritical evangelical piety. Taking such contemporary portrayals at face value, historian John Wigley, whose thirty-year-old monograph remains the only full treatment of the subject, depicted the Victorian Sabbath as ‘a day which had a funereal character, notorious for its symbols – the hushed voice, the half-drawn blind and the best clothes’. Sabbatarianism, he argued, ‘appeared to consist of a perverse reluctance to enjoy oneself on Sundays and a determination to stop other people enjoying themselves too’.

Type
Research Article
Copyright
Copyright © Ecclesiastical History Society 2012

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