Volume 65 - Summer 2012
Reviews
Jennifer Feather. Writing Combat and the Self in Early Modern English Literature: The Pen and the Sword. Early Modern Cultural Studies. Basingstoke: Palgrave Macmillan, 2011. xvii + 254 pp. $85. ISBN: 978–0–230–12041–9.
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- 20 November 2018, pp. 1003-1004
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John D. Lyons. The Phantom of Chance: From Fortune to Randomness in Seventeenth-Century French Literature. Edinburgh Critical Studies in Renaissance Culture. Edinburgh: Edinburgh University Press, 2012. xx + 212 pp. $105. ISBN: 978–0–7486–4515–2.
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- 20 November 2018, pp. 1308-1309
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Evelyn B. Tribble. Cognition in the Globe: Attention and Memory in Shakespeare’s Theatre. Cognitive Studies in Literature and Performance. New York: Palgrave Macmillan, 2011. xv + 200 pp. £52. ISBN: 978–0–230–11085–4.
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- 20 November 2018, pp. 635-637
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Raphael Lyne. Shakespeare, Rhetoric and Cognition. Cambridge: Cambridge University Press, 2011. viii + 268 pp. $90. ISBN: 978–1–10700–747–5.
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- 20 November 2018, pp. 637-638
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Robert I. Lublin. Costuming the Shakespearean Stage: Visual Codes of Representation in Early Modern Theatre and Culture. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2011. x + 200 pp. $99.95. ISBN: 978–0–7546–6225–9.
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- 20 November 2018, pp. 1004-1006
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Raingard Esser. The Politics of Memory: The Writing of Partition in the Seventeenth-Century Low Countries. Brill’s Studies in Intellectual History 208. Leiden: Brill, 2011. xi + 364 pp. $163. ISBN: 978–90–04–20807–0.
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- 20 November 2018, pp. 1310-1311
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jan Bloemendal, Arjan Van Dixhoorn, and Elsa Strietman, eds. Literary Cultures and Public Opinion in the Low Countries, 1450–1650. Brill’S Studies In Intellectual History 197. Leiden: brill, 2011. X + 324 PP. $136. ISBN: 978–90–04–20616–8.
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- 20 November 2018, pp. 1311-1313
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Lynn Enterline. Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion. Philadelphia: University of Pennsylvania Press, 2012. 202 pp. $45. ISBN: 978–0–8122–4378–9.
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- 20 November 2018, pp. 1006-1007
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Kristen Poole. Supernatural Environments in Shakespeare’s England: Spaces of Demonism, Divinity, and Drama. Cambridge: Cambridge University Press, 2011. xiii + 290 pp. $90. ISBN: 978–1–107–00835–9.
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- 20 November 2018, pp. 639-640
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Kathryn Schwarz. What You Will: Gender, Contract, and Shakespearean Social Space. Philadelphia: University of Pennsylvania Press, 2011. xii + 304 pp. $55. ISBN: 978–0–8122–4327–7.
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- 20 November 2018, pp. 640-641
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Els Stronks. Negotiating Differences: Word, Image and Religion in the Dutch Republic. Studies in Medieval and Reformation Traditions 155. Leiden: Brill, 2011. xx + 342 pp. $136. ISBN: 978–90–04–20423–2.
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- 20 November 2018, pp. 1313-1314
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Tim Fitzpatrick. Playwright, Space, and Place in Early Modern Performance: Shakespeare and Company.Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2011. xiv + 314 pp. $124.95. ISBN: 978–1–4094–2827–5.
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- 20 November 2018, pp. 1007-1009
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Catherine Richardson. Shakespeare and Material Culture. Oxford Shakespeare Topics. Oxford: Oxford University Press, 2011. xii + 222 pp. $27.95. ISBN: 978–0–19–956227–5.
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- 20 November 2018, pp. 642-643
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Marguerite A. Tassi. Women and Revenge in Shakespeare: Gender, Genre, and Ethics. Selinsgrove: Susquehanna University Press, 2011. 344 pp. $69.50. ISBN: 978–1–57591–131–1.
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- 20 November 2018, pp. 1009-1010
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Mark Häberlein. The Fuggers of Augsburg: Pursuing Wealth and Honor in Renaissance Germany. Studies in Early Modern German History. Charlottesville: University of Virginia Press, 2012. xi + 286 pp. $39.50. ISBN: 978–0–8139–3244–6.
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- 20 November 2018, pp. 1315-1316
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David Landreth. The Face of Mammon: The Matter of Money in English Renaissance Literature. Oxford: Oxford University Press, 2011. xii + 348 pp. $49.95. ISBN: 978–0–19–977329–9.
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- 20 November 2018, pp. 1316-1318
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Joel B. Davis. The Countesse of Pembrokes Arcadia and the Invention of English Literature. Basingstoke: Palgrave Macmillan, 2011. xx + 252 pp. $85. ISBN: 978–0–230–11252–0.
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- 20 November 2018, pp. 1010-1012
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Andreas Höfele. Stage, Stake, and Scaffold: Humans and Animals in Shakespeare’s Theatre. Oxford: Oxford University Press, 2011. xii + 315 pp. $80. ISBN: 978–0–19–956764–5.
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- 20 November 2018, pp. 643-644
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Tiffany Jo Werth. The Fabulous Dark Cloister: Romance in England after the Reformation. Baltimore: Johns Hopkins University Press, 2011. ix + 234 pp. $65. ISBN: 978–142140301–4.
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- 20 November 2018, pp. 1012-1013
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Robert Huntley Bell. Shakespeare’s Great Stage of Fools. New York: Palgrave Macmillan, 2011. x + 186 pp. $80. ISBN: 978–0–230–11511–8.
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- 20 November 2018, pp. 645-646
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