Renaissance Quarterly: Volume 74 -

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

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Volume 74 - Summer 2021

Contents

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Rembrandt: Painter as Printmaker. Jaco Rutgers and Timothy J. Standring. New Haven, CT: Yale University Press; Denver Art Museum, 2018. 184 pp. $45.
Ann Jensen Adams
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29 June 2021, pp. 586-588
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Toward a Global Middle Ages: Encountering the World through Illuminated Manuscripts. Bryan C. Keene, ed. Los Angeles, CA: J. Paul Getty Museum, 2019. x + 286 pp. $60.
Sabina Zonno
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26 March 2021, pp. 236-237
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Mary of Mercy in Medieval and Renaissance Italian Art: Devotional Image and Civic Emblem. Katherine T. Brown. Abingdon: Routledge, 2017. xx + 212 pp. $150.
Timothy B. Smith
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31 December 2021, pp. 1277-1278
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Ad Vivum? Visual Materials and the Vocabulary of Life-Likeness in Europe before 1800. Thomas Balfe, Joanna Woodall, and Claus Zittel, eds. Brill's Interdisciplinary Studies in Early Modern Culture 61. Leiden: Brill, 2019. xxviii + 360 pp. €157.
Tianna Helena Uchacz
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24 September 2021, pp. 933-934
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Michelangelo, God's Architect: The Story of His Final Years and Greatest Masterpiece. William E. Wallace. Princeton, NJ: Princeton University Press, 2019. xii + 278 pp. + color pls. $29.
Francis Ames-Lewis
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31 December 2021, pp. 1279-1280
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Late Gothic Architecture: Its Evolution, Extinction, and Reception. Robert Bork. Architectura Medii Aevi 10. Turnhout: Brepols, 2018. x +552 pp. €119.
Dan Ewing
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26 March 2021, pp. 237-239
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Crime and Illusion: The Art of Truth in the Spanish Golden Age. Felipe Pereda. Trans. Consuelo López-Morillas. Harvey Miller Studies in Baroque Art. London: Harvey Miller, 2018. 334 pp. €60.
Tanya J. Tiffany
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24 September 2021, pp. 935-936
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The Art of Fencing: The Forgotten Discourse of Camillo Palladini. Piermarco Terminiello and Joshua Pendragon, eds. Leeds: Royal Armories; Wallace Collection, 2019. 256 pp. £55.
Ken Mondschein
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29 June 2021, pp. 588-589
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Das Auge der Geschichte: Der Aufstand der Niederlande und die Französischen Religionskriege im Spiegel der Bildberichte Franz Hogenbergs (ca. 1560–1610). Ramon Voges. Studies in Medieval and Reformation Traditions 216. Leiden: Brill, 2019. xvi + 422 pp. €129.
Jennifer Nelson
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24 September 2021, pp. 937-938
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Michelangelo's Inner Anatomies. Christian K. Kleinbub. University Park: Pennsylvania State University Press, 2020. xiv + 244 pp. $99.95.
Bernadine Barnes
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31 December 2021, pp. 1280-1281
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The Power of Textiles: Tapestries of the Burgundian Dominions (1363–1477). Katherine Anne Wilson. Burgundica 26. Turnhout: Brepols, 2018. xii + 222 pp. €74.
Lorraine Karafel
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26 March 2021, pp. 239-240
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Gothic Sculpture. Paul Binski. New Haven, CT: Yale University Press, 2019. viii + 287 pp. $55.
Martha Wolff
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29 June 2021, pp. 589-591
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Rembrandt's Mark. Staatliche Kunstsammlungen Dresden, Stephanie Buck, and Jürgen Müller, eds. With Mailena Mallach. Exh. cat. London: Paul Holberton, 2019. 280 pp. £35.
Catherine B. Scallen
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24 September 2021, pp. 938-940
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Pirro Ligorio's Worlds: Antiquarianism, Classical Erudition and the Visual Arts in the Late Renaissance. Fernando Loffredo and Ginette Vagenheim, eds. Brill's Studies in Intellectual History 293; Brill's Studies on Art, Art History, and Intellectual History 34. Leiden: Brill, 2019. xxii + 428 pp. €138.
Stefano G. Casu
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31 December 2021, pp. 1282-1283
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The Architecture of Banking in Renaissance Italy: Constructing the Spaces of Money. Lauren Jacobi. Cambridge: Cambridge University Press, 2019. xiv + 242 pp. $99.99.
Anne Leader
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29 June 2021, pp. 591-592
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The Art and Archaeology of Lusignan and Venetian Cyprus (1192–1571): Recent Research and New Discoveries. Michalis Olympios and Maria Parani, eds. Studies in the Visual Cultures of the Middle Ages 12. Turnhout: Brepols, 2019. 442 pp. €125.
Holly S. Hurlburt
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26 March 2021, pp. 240-242
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Gardens for Gloriana: Wealth, Splendour and Design in the Elizabethan Garden. Jane Whitaker. London: Bloomsbury Academic, 2019. xxiv + 308 pp. + color pls. $27.
Susan M. Cogan
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29 June 2021, pp. 593-594
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Rubens, Rembrandt, and Drawing in the Golden Age. Victoria Sancho Lobis. With Antoinette Owen, Francesca Casadio, and Emily Wokt Ziemba. Chicago: Art Institute of Chicago, 2019. 354 pp. $35.
Catherine H. Lusheck
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24 September 2021, pp. 940-941
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Raphael and the Antique. Claudia La Malfa. Renaissance Lives. London: Reaktion Books, 2019. 288 pp. £16.95.
Linda Wolk-Simon
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31 December 2021, pp. 1283-1285
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Rahmenbilder: Konfigurationen der Verehrung im frühneuzeitlichen Italien. Isabella Augart. Kunsthistorisches Institut in Florenz: I Mandorli 25. Berlin: Deutscher Kunstverlag, 2018. 350 pp. €48.
Stefano de Bosio
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26 March 2021, pp. 242-243
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Page 4 of 20

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Renaissance Quarterly

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Volume 74 - Summer 2021

Reviews

Rembrandt: Painter as Printmaker. Jaco Rutgers and Timothy J. Standring. New Haven, CT: Yale University Press; Denver Art Museum, 2018. 184 pp. $45.

Toward a Global Middle Ages: Encountering the World through Illuminated Manuscripts. Bryan C. Keene, ed. Los Angeles, CA: J. Paul Getty Museum, 2019. x + 286 pp. $60.

Mary of Mercy in Medieval and Renaissance Italian Art: Devotional Image and Civic Emblem. Katherine T. Brown. Abingdon: Routledge, 2017. xx + 212 pp. $150.

Ad Vivum? Visual Materials and the Vocabulary of Life-Likeness in Europe before 1800. Thomas Balfe, Joanna Woodall, and Claus Zittel, eds. Brill's Interdisciplinary Studies in Early Modern Culture 61. Leiden: Brill, 2019. xxviii + 360 pp. €157.

Michelangelo, God's Architect: The Story of His Final Years and Greatest Masterpiece. William E. Wallace. Princeton, NJ: Princeton University Press, 2019. xii + 278 pp. + color pls. $29.

Late Gothic Architecture: Its Evolution, Extinction, and Reception. Robert Bork. Architectura Medii Aevi 10. Turnhout: Brepols, 2018. x +552 pp. €119.

Crime and Illusion: The Art of Truth in the Spanish Golden Age. Felipe Pereda. Trans. Consuelo López-Morillas. Harvey Miller Studies in Baroque Art. London: Harvey Miller, 2018. 334 pp. €60.

The Art of Fencing: The Forgotten Discourse of Camillo Palladini. Piermarco Terminiello and Joshua Pendragon, eds. Leeds: Royal Armories; Wallace Collection, 2019. 256 pp. £55.

Das Auge der Geschichte: Der Aufstand der Niederlande und die Französischen Religionskriege im Spiegel der Bildberichte Franz Hogenbergs (ca. 1560–1610). Ramon Voges. Studies in Medieval and Reformation Traditions 216. Leiden: Brill, 2019. xvi + 422 pp. €129.

Michelangelo's Inner Anatomies. Christian K. Kleinbub. University Park: Pennsylvania State University Press, 2020. xiv + 244 pp. $99.95.

The Power of Textiles: Tapestries of the Burgundian Dominions (1363–1477). Katherine Anne Wilson. Burgundica 26. Turnhout: Brepols, 2018. xii + 222 pp. €74.

Gothic Sculpture. Paul Binski. New Haven, CT: Yale University Press, 2019. viii + 287 pp. $55.

Rembrandt's Mark. Staatliche Kunstsammlungen Dresden, Stephanie Buck, and Jürgen Müller, eds. With Mailena Mallach. Exh. cat. London: Paul Holberton, 2019. 280 pp. £35.

The Architecture of Banking in Renaissance Italy: Constructing the Spaces of Money. Lauren Jacobi. Cambridge: Cambridge University Press, 2019. xiv + 242 pp. $99.99.

The Art and Archaeology of Lusignan and Venetian Cyprus (1192–1571): Recent Research and New Discoveries. Michalis Olympios and Maria Parani, eds. Studies in the Visual Cultures of the Middle Ages 12. Turnhout: Brepols, 2019. 442 pp. €125.

Gardens for Gloriana: Wealth, Splendour and Design in the Elizabethan Garden. Jane Whitaker. London: Bloomsbury Academic, 2019. xxiv + 308 pp. + color pls. $27.

Rubens, Rembrandt, and Drawing in the Golden Age. Victoria Sancho Lobis. With Antoinette Owen, Francesca Casadio, and Emily Wokt Ziemba. Chicago: Art Institute of Chicago, 2019. 354 pp. $35.

Raphael and the Antique. Claudia La Malfa. Renaissance Lives. London: Reaktion Books, 2019. 288 pp. £16.95.

Rahmenbilder: Konfigurationen der Verehrung im frühneuzeitlichen Italien. Isabella Augart. Kunsthistorisches Institut in Florenz: I Mandorli 25. Berlin: Deutscher Kunstverlag, 2018. 350 pp. €48.

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Volume 74 - Summer 2021

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