Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-20T13:17:25.007Z Has data issue: false hasContentIssue false
  • English
  • Français

The Face on the Turoe Stone

Published online by Cambridge University Press:  18 August 2022

JENNIFER FOSTER  and
MAGDALEN BATTEN
JENNIFER FOSTER
Affiliation:
Department of Continuing Education, University of Oxford, Rewley House, I Wellington Square, Oxford OX1 2JA Email: [email protected]
MAGDALEN BATTEN
Affiliation:
[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

Re-examination of the Turoe stone, Co. Galway, Ireland, a small granite pillar decorated with Celtic art, has revealed a possible, previously un-noticed, stylised boar’s head.

Résumé

RÉSUMÉ

Le visage sur la Turoe Stone, de Jennifer Foster et Magdaen Batten

Un ré-examen de la Turoe Stone, Co. Galway, Irlande, une petite colonne de granit décorée d’art celtique, a révélé une éventuelle tête de sanglier stylisée auparavant inaperçue.

Zusammenfassung

ZUSAMMENFASSUNG

Das Gesicht auf dem Turoe Stone, von Jennifer Foster und Magdalen Batten

Eine erneute Untersuchung des Turoe Stone, Co. Galway, Irland, einer kleinen Granitsäule, die mit keltischer Kunst verziert ist, hat einen möglichen, zuvor unbemerkten, stilisierten Eberkopf ergeben.

Resumen

RESUMEN

El Rostro en la Piedra Turoe, por Jennifer Foster y Magdalen Batten

Un nuevo examen de Turoe Stone, Co. Galway, Irlanda, una pequeña columna de granito decorada con arte celta, ha revelado una posible cabeza de jabalí estilizada previamente desapercibida.

Keywords

decorated stoneCeltic artIrelandIron Ageboar’s head decoration
Type
Research Article
Information
Proceedings of the Prehistoric Society , Volume 88 , December 2022 , pp. 221 - 225
Copyright
© The Author(s), 2022. Published by Cambridge University Press on behalf of The Prehistoric Society

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

BIBLIOGRAPHY

Davies, S. 2007. The Mabinogion. Oxford: University Press Google Scholar
Duignan, M. 1976. The Turoe stone: Its place in insular La Tène art. In Duval, P.-M. & Hawkes, C. (eds), Celtic Art in Ancient Europe: Five protohistoric centuries, 201–10. London: Seminar Press Google Scholar
Foster, J. 2014 Hidden faces and animal images on late Iron Age and early Roman horse harness decorated using the champlevé technique. In Gosden, C., Crawford, S. & Ulmschneider, K. (eds), Celtic Art in Europe: Making connections, 56–67. Oxford: Oxbow Books CrossRefGoogle Scholar
Fox, C. 1958. Pattern and Purpose. Cardiff: National Museum of Wales Google Scholar
Garrow, D., Gosden, C. & Hill, J.D. (eds). 2008. Rethinking Celtic Art. Oxford: Oxbow Books CrossRefGoogle Scholar
Gosden, C. and Hill, J.D. 2008 Introduction: Re-integrating ‘Celtic’ Art. Garrow et al. (eds) 2008, 1–14CrossRefGoogle Scholar
Jones, G. 1955 Welsh Legends and Folk-tales. Oxford: Oxford University Press Google Scholar
Joy, J. 2008. Reflections on Celtic art: A re-examination of mirror decoration. In Garrow et al. (eds) 2008, 78–99CrossRefGoogle Scholar
Megaw, R. & Megaw, V. 1989. Celtic Art from its Beginnings to the Book of Kells. London: Thames & Hudson Google Scholar
Megaw, V. 1970 Cheshire Cat and Mickey Mouse: Analysis, interpretation and the art of the La Tène Iron Age. Proceedings of the Prehistoric Society 36, 261–79CrossRefGoogle Scholar
Megaw, V. & Megaw, R. 2008. A Celtic mystery: Some thoughts on the genesis of insular Celtic art. In Garrow et al. (eds) 2008, 40–58CrossRefGoogle Scholar
Miles, D., Palmer, S., Lock, G., Gosden, C. & Cromarty, A.M. 2003. Uffington White Horse and its Landscape. Oxford: Oxford Archaeology Google Scholar
Raftery, B. 1994. Pagan Celtic Ireland: The enigma of the Irish Iron Age. London: Thames & Hudson Google Scholar
Venclová, N. & Royt, J. 2014. A Celtic severed head, or Lazarus in the arms of Abraham? In Gosden, C., Crawford, S. & Ulmschneider, K. (eds), Celtic Art in Europe: Making connections, 96–100. Oxford: Oxbow Books CrossRefGoogle Scholar