Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-12-03T20:35:11.975Z Has data issue: false hasContentIssue false
  • English
  • Français

The Development of Folk-Song in Portugal and the Basque Country

Published online by Cambridge University Press:  01 January 2020

Rodney Gallop
Get access

Extract

When the Council of the Musical Association were kind enough to invite me to address you this afternoon on the subject of Basque and Portuguese folk-music, I was at first in some doubt how best to present my material. I have already given a general account of Basque music in my Book of the Basques and of Portuguese music in two articles in Music and Letters. It occurred to me, therefore, that it might be better to approach the subject from some angle of general interest to musicians and to discuss the light which the folksongs of these two peoples throw on the general (and I must confess somewhat contentious) question of the origin and development of folk-song.

Type
Research Article
Information
Proceedings of the Musical Association , Volume 61 , 1934 , pp. 61 - 80
Copyright
Copyright © Royal Musical Association, 1934

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 For Ex. 1 see No. 4 of Six Basque Folksongs.Google Scholar

2 See pp. 26–27.Google Scholar

3 For the second variant see No. 12 of 25 Chansons populaires d'Eskual Herria.Google Scholar

4 See Six Basque Folk-Songs, No. 3.Google Scholar

5 For Ex. 12 see Six Basque Folk-Songs, No. 6.Google Scholar

6 See Bibliographical Appendix to this lecture.Google Scholar

7 Vol. xiv, No. 4, p. 347. Ex. 10.Google Scholar

8 For Ex. 21 see The Musical Quarterly, vol. xx, p. 103.Google Scholar