Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-12-02T21:31:10.866Z Has data issue: false hasContentIssue false

Prolegomena to Musical Criticism

Published online by Cambridge University Press:  01 January 2020

Get access

Extract

It has been said, with a great deal of truth, —and I think that few of those present will want to question the validity of the statement,—that a love of discussion is one of the most elementary and most permanent characteristics of the human race. It is, indeed, natural and right that our desire should be to exercise actively those gifts which have placed us above the lower animals; and the progress towards freedom of thought and conduct in all spheres, which is a mark of the English speaking races beyond others, is assuredly due to our highly-developed love of combat in word as well as in action. So true is this, that as a nation we are commonly accused of being willing, and even anxious, to maintain a position we have no belief in, provided only we can thereby provoke and sustain an argument.

Type
Research Article
Copyright
Copyright © Royal Musical Association, 1905

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)