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Jazz As Critique: Adorno and Black Expression Revisited. By Fumi Okiji. Stanford, CA: Stanford University Press, 2018. 148 pp. ISBN: 9781503602021

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Jazz As Critique: Adorno and Black Expression Revisited. By Fumi Okiji. Stanford, CA: Stanford University Press, 2018. 148 pp. ISBN: 9781503602021

Published online by Cambridge University Press:  11 October 2019

Duncan Heining
Duncan Heining*
Affiliation:
Independent Researcher, Suffolk
*
[email protected]
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Reviews
Information
Popular Music , Volume 38 , Issue 3 , October 2019 , pp. 562 - 564
Copyright
Copyright © Cambridge University Press 2019 

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References

Adorno, T. 1981. Prisms, trans. Samuel, and Weber, Shierry (Cambridge, MA, MIT Press)Google Scholar
Adorno, T. 2005. Minima Moralia: Reflections of a Damaged Life. London: Verso.Google Scholar
Leppert, R. (ed.) 2002. Theodor W. Adorno: Essays on Music (Berkeley, CA, University of California Press)Google Scholar
Gabbard, K. 1995. ‘Signifyin(g) the phallus: Mo’ Better Blues and representations of Jazz trumpet’, in Gabbard, K. (ed.), Representing Jazz (Durham, NC, Duke University Press), pp. 104–30Google Scholar
O'Connor, B. (ed.) 2000. The Adorno Reader (Oxford: Blackwell)Google Scholar