We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
A Hidden Landscape Once a Week: The Unruly Curiosity of the UK Music Press in the 1960s–1980s, in the Words of Those Who Were There. Edited by Mark Sinker. London: Strange Attractor Press, 2018. 380 pp. ISBN 9781907222634
Published online by Cambridge University Press:
11 October 2019
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
References
Brennan, M.2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock (New York, Bloomsbury)Google Scholar
Draper, R.1990. Rolling Stone Magazine: The Uncensored History (New York, Doubleday)Google Scholar
Eisen, J. (ed.). 1969. The Age of Rock: Sounds of the American Cultural Revolution (New York, Vintage Books)Google Scholar
Goldstein, R.1970. Goldstein's Greatest Hits: A Book Mostly about Rock ’n’ Roll (Englewood Cliffs, NJ, Prentice Hall)Google Scholar
Gorman, P.2001. In Their Own Write: Adventures in the Music Press (London, Sanctuary)Google Scholar
Jones, S. (ed.). 2002. Pop Music and the Press (Philadelphia, PA, Temple University Press)Google Scholar
Lindberg, U., Gudmundsson, G., Michelsen, M. and Weisethaunet, H.2005. Rock Criticism from the Beginning: Amusers, Bruisers & Cool-Headed Cruisers (New York, Lang)Google Scholar
Long, P.2012. The History of the NME: High Times and Low Lives of the World's Most Famous Music Magazine (London, Portico Books)Google Scholar
Powers, D.2013. Writing the Record: The Village Voice and the Birth of Rock Criticism (Amherst, MA, University of Massachusetts Press)Google Scholar