Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-28T00:05:13.407Z Has data issue: false hasContentIssue false

Emo – How Fans Defined a Subculture. By Judith May Fathallah. Iowa: University of Iowa Press, 2020. 214 pp. ISBN 978-1-609-38724-2

Review products

Emo – How Fans Defined a Subculture. By Judith May Fathallah. Iowa: University of Iowa Press, 2020. 214 pp. ISBN 978-1-609-38724-2

Published online by Cambridge University Press:  20 September 2022

Adam Guld*
Affiliation:
University of Pécs, Hungary

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Austin, J.L. 1962. How to Do Things with Words (Oxford, Clarendon Press)Google Scholar
Booth, P. 2017. Digital Fandom 2.0. (New York, Peter Lang)Google Scholar
Foucault, M. 1971. ‘The discourse on language’, Social Science Information, 10/2, pp. 730CrossRefGoogle Scholar
Greenwald, A. 2012. Nothing Feels Good: Punk Rock, Teenagers, and Emo (New York, St Martin's Press)Google Scholar
McRobbie, A. 1980. ‘Settling accounts with subculture. A feminist critique’, Screen Education, 34, pp. 3749Google Scholar
Milner, R.M., and Phillips, W. 2017. The Ambivalent Internet: Mischief, Oddity and Antagonism Online (Cambridge, Polity)Google Scholar
Phillips, W. 2015. This Is Why We Can't Have Nice Things: Mapping the Relationship between Online Trolling and Mainstream Culture (Cambridge, MA, MIT Press)CrossRefGoogle Scholar