Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-02T23:42:27.127Z Has data issue: false hasContentIssue false

Between dislocated and relocated Inter-Asian popular music studies: academic discourse and possibilities

Published online by Cambridge University Press:  03 January 2019

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Middle Eight
Copyright
Copyright © Cambridge University Press 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bomhoff, E., and Gu, M. 2012. ‘East Asian exceptionalism: a rejoinder’, Journal of Cross-Cultural Psychology, 43/7, pp. 373–83Google Scholar
Chen, K.H. 2010. Asia as Method: Toward Deimperalization (Durham, NC, Duke University Press)Google Scholar
Chu, Y., and Leung, E. 2013. ‘Remapping Hong Kong popular music: covers, localisation and the waning hybridity of Cantopop’, Popular Music, 32/1, pp. 6578Google Scholar
Chua, B.H. 2015. ‘Inter-Asia referencing and shifting frames of comparison’, in The Social Sciences in the Asian Century, ed. Johnson, C., Mackie, V., and Morris-Suzuki, T. (Canberra, ANU Press), pp. 6780Google Scholar
Fung, A. 2007. ‘The emerging (national) popular music culture in China’, Inter-Asian Cultural Studies, 8/3, pp. 425–37Google Scholar
Fung, A. 2008a. Global Capital, Local Culture: Transnational Media in China (New York, Peter Lang)Google Scholar
Fung, A. 2009. ‘Faye and the fandom of a Chinese diva’, Popular Communication, 7/2, pp. 252–66Google Scholar
Fung, A. 2008b. ‘Western style, Chinese pop: Jay Chou's rap and hip-hop in China’, Asian Music, 39/1, pp. 6990Google Scholar
Fung, A. 2013. ‘Asia (not) as the method: how to write Inter-Asia Pop Studies collectively. The difficulties of collaborative research’, Institute of East Asian Studies, Sungkonghoe University, Seoul, South Korea, 26–27 AprilGoogle Scholar
Fung, A., and Curtin, M. 2002. ‘The anomalies of being Faye (Wong): gender politics in Chinese popular music’, International Journal of Cultural Studies, 5/3, pp. 263–90Google Scholar
Gracyk, T. 2001. I Wanna be Me: Rock Music and the Politics of Identity (Philadelphia, PA, Temple University Press)Google Scholar
Ho, W. C. 2007. ‘Music and cultural politics in Taiwan’, International Journal of Cultural Studies, 10/4, pp. 463–83Google Scholar
Iddo, M., and Marshall, M. 2014. Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture (Abingdon, Routledge)Google Scholar
Jenkins, P., and Jenkins, H. eds. 2018. Teaching the Beatles (New York, Routledge)Google Scholar
Khoo, T. ed. 2007. Locating Asian Australian Studies (Abingdon, Routledge)Google Scholar
Lie, J. 2012. ‘What is the K in K-pop? South Korean popular music, the culture industry, and national identity’, Korea Observer, 43/3, pp. 339–63Google Scholar
Said, E. 1978. Orientalism (New York, Pantheon Books)Google Scholar
Shih, C.Y. 2015. Ed. Re-producing Chineseness in Southeast Asia (Abingdon, Routledge)Google Scholar
Spivak, G. 1985. ‘Subaltern studies: deconstructing historiography’, in The Spivak Reader, ed. Spivak, G., and Landry, D. (New York, Routledge), pp. 203–36Google Scholar
Thornton, W. 1998. ‘Korea and East Asian exceptionalism’, Theory, Culture and Society, 15/2, pp. 137–54Google Scholar
Um, H. 2013. ‘The poetics of resistance and the politics of crossing borders: Korean hip-hop and “cultural reterritorialisation”’, Popular Music, 32/1, pp. 5164Google Scholar