Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-25T20:25:31.318Z Has data issue: false hasContentIssue false

Yothu Yindi's ‘Treaty’: ganma in music

Published online by Cambridge University Press:  11 November 2008

Extract

In north-east Arnhem Land languages, ganma is a word used to describe the place where the fresh water from a river meets the salt water of the sea. For the Yolngu, fresh water and salt water are significant opposites, and the turbulence and fertile potency of their meeting place is a powerful metaphor. The term is used in the Yirrkala community, especially in the school, to refer to the modern attempts to educate Yolngu children in ‘both ways’, that is the Yolngu way and the Balanda way. In this article, it refers to a musical text, the song ‘Treaty’ which, like ganma, represents a mixing of opposites.

Type
Articles
Copyright
Copyright © Cambridge University Press 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bennett, S. 1989. Aborigines and Political Power (Sydney)Google Scholar
Breen, Marcus. (ed.) 1989. Our Place, Our Music (Canberra)Google Scholar
Brennan, F. 1991. Sharing the Country: The Case for Agreement between Black and White Australians (Ringwood)Google Scholar
Castles, John. 1992. ‘Tjungaringanyi: Aboriginal rock’ in From Pop to Punk to Postmodernism, ed. Hayward, Philip (Sydney)Google Scholar
Charlesworth, Max. 1984. The Aboriginal Land Rights Movement (Richmond)Google Scholar
Elder, Bruce. 1992, ‘Black music shakes off the past’, Sydney Morning Herald, 14 01, p. 12Google Scholar
Ellis, Catherine J. 1979. ‘Developments in music education among Aboriginals in Central and South Australia’ in Australian Aboriginal Music, ed. Isaacs, Jennifer (Sydney)Google Scholar
Harris, Stephen. 1990. Two Way Aboriginal Schooling: Education and Cultural Survival (Canberra)Google Scholar
Hayward, Philip. 1992. ‘Music video, the bicentenary (and after)’ in From Pop to Punk to Postmodernism, ed. Hayward, Philip (Sydney)Google Scholar
Hayward, Philip. 1993Safe, exotic and somewhere else’, Perfect Beat, 1/2, pp. 3342Google Scholar
Hughes, Robert. 1986. The Fatal Shore: A History of the Transportation of Convicts to Australia, 1787–1868 (London)Google Scholar
Keir, Phillip. 1992. ‘Yothu Yindi’, Rolling Stone, No. 466, pp. 7277Google Scholar
Kornhauser, Bronia. 1978. ‘In defence of Kroncong’ in Studies in Music, ed. Kartomi, Margaret J. (Clayton)Google Scholar
Lippman, Lorna. 1991. Generations of Resistance (Melbourne)Google Scholar
Marika, Raymattja, Ngurruwutthun, Dayngawa and White, Leon. 1989. ‘Always together, Yaka Gana: participatory research at Yirrkala as part of the development of a Yolngu education’, paper given at the Participatory Research Conference,University of Calgary,JulyGoogle Scholar
Mitchell, Tony. 1992. 'World music, indigenous music and music television in Australia, Perfect Beat, 1/1, pp. 116Google Scholar
Morphy, Howard. 1984a. Journey to the Crocodile's Nest (Canberra)Google Scholar
Morphy, Howard. 1984b. ‘Yolngu ceremonies and bark painting’ in Religion in Aboriginal Australia, ed. Charlesworth, Max, Morphy, Howard, Bell, Diane and Maddock, Kenneth (Brisbane)Google Scholar
Moyle, Alice. 1974. Songs from the Northern Territory. Companion booklet for Five 12 inch L.P. discs (Canberra)Google Scholar
Narogin, M. 1991. Writing from the Fringe: A Study of Modern Aboriginal Literature (Melbourne)Google Scholar
Nicol, Lisa. 1993. ‘Culture, custom and collaboration: the production of Yothu Yindi's Treaty videos’, Perfect Beat, 1/2, pp. 2332Google Scholar
Pearce, Trevor. 1979. ‘Music and the Settled Aboriginal’ in Australian Aboriginal Music, ed. Isaacs, Jennifer (Sydney)Google Scholar
Simmonds, D. 1990. ‘From Motown to Ourtown’, The Bulletin, 9 10, pp. 112113Google Scholar
Sly, D. 1991. ‘Black Power’, The Advertiser, 17 10, pp. 12Google Scholar
Stubington, Jill. 1979. ‘North Australian Aboriginal Music’ in Australian Aboriginal Music, ed. Isaacs, Jennifer (Sydney)Google Scholar
Sweeney, P. 1991. The Virgin Directory of World Music (London)Google Scholar
Waterman, Richard. 1971. ‘Music in Australian Aboriginal culture – some sociological and physhological implications’ in Readings in Ethnumusicology, ed. McAllester, David (New York)Google Scholar
Williams, Nancy. 1986. The Yolngu and Their Land: A System of Land Tenure and the Fight for Its Recognition (Canberra)Google Scholar
Yunupingu, Mandawuy. 1992. ‘Black and White’, Rolling Stone, No. 471, p. 3334Google Scholar
Zorc, R. David. 1986. Yolngu – Matha Dictionary (Darwin)Google Scholar