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The Source-Book for Hudson's Green Mansions

Published online by Cambridge University Press:  02 December 2020

Carlos Baker*
Affiliation:
Princeton University

Extract

In the forty-two years since its publication, there has grown up around Hudson's Green Mansions and its heroine, the forest-girl Rima, an aura of mystery which has been rather deepened than dispelled by Hudson's editors and biographers. “If there was any secret about Rima,” says one of them, “forty years of friendship never discovered it to me … Sometimes I have thought that there was a Rima, some woodland child whom the boy Hudson had loved, and then again I come back to the thought I now hold to, that she is the embodiment, but no more than that, of all his imaginations concerning the girl-woman who would have satisfied his body and soul.” Later the same writer elaborates on the concept of Rima as Hudson's spiritual mate. “His opposed contrasted figures grew out of the soil, and if Rima seems to come down from heaven, she was yet a being who sprang living from his memory of some white and lovely children, whom he had known on the pampa.” Such words as these merely add mist to mystery, and romancing to romance, an editorial tendency in which less ecstatic commentators than Mr. Roberts will hesitate to concur.

Type
Research Article
Information
PMLA , Volume 61 , Issue 1 , March 1946 , pp. 252 - 257
Copyright
Copyright © Modern Language Association of America, 1946

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References

1 Morley Roberts, W. H. Hudson; A Portrait (London, 1924), pp. 98-99, 131-132.

2 J. V. Fletcher, “The Creator or Rima,” Sewanee Review, xli (1933), 35.

3 Sydney Owenson, Lady Morgan, The Missionary, 3 vols. (London, 1811). Hudson was not the first to see possibilities in Miss Owenson's novel. Mr. Fletcher's reason for associating Rima and Shelley's heroine becomes clearer when we know that it was upon Luxima in The Missionary that Shelley patterned Cythna in The Revolt of Islam. Shelley thought highly of the book. See his Letters (Julian Edition), viii, 112. Byron thought it “somewhat visionary.” See Lord Byron's Correspondence, ed. John Murray, 2 vols. (London, 1922), ii, 43. According to Lady Morgan's biographer, her good friend Thomas Moore found The Missionary useful in getting up Oriental background for Lalla Rookh. See Lionel Stevenson, The Wild Irish Girl (London, 1936), p. 133.

4 Page references to Green Mansions are to the Modern Library edition.

5 W. H. Hudson; A Portrait, p. 131.