Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-25T16:57:18.804Z Has data issue: false hasContentIssue false

Marie-Noël Colette and Gunilla Iversen , La parole chantée: Invention poétique et musicale dans le haut moyen âge occidental. Turnhout: Brepols, 2014. 497 pp. + 6 colour plates + CD. €75. ISBN 978 2 503 55161 6.

Published online by Cambridge University Press:  25 September 2015

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Cambridge University Press, 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 A small correction: tracks 8, 9 and 11 are performances of pieces 34, 42 and 37, respectively, in the Florilège.

2 ‘Ergo ad tantum et talem officium cor pariter cum lingua conveniat cum timore Domino cottidianum debitum redibere. Non solum vocibus, sed et corde ad Deum clamare.’ Regula Magistri 47:14–20, ed. Adalbert de Vogüé, La Régle du Maître, Sources Chrétiennes 105–7 (Paris, 1964), 106:214–16; there is an English translation by Eberle, Luke, The Rule of the Master, Cistercian Studies 6 (Kalamazoo, 1977), 206–7Google Scholar.

3 Translated into English by Flynn, William as Laus angelica: Poetry in the Medieval Mass, ed. Flynn, Jane (Turnhout, 2010)Google Scholar.