Hostname: page-component-cd9895bd7-fscjk Total loading time: 0 Render date: 2024-12-26T03:52:57.559Z Has data issue: false hasContentIssue false
  • English
  • Français

The Villa Pigneto Sacchetti excavation: a new interpretation

Published online by Cambridge University Press:  15 June 2011

Phil Perkins  and
Sally Schafer
Phil Perkins
Affiliation:
Classical Studies Department, Faculty of Arts, The Open University, Walton Hall, Milton Keynes, MK7 6AA, Great [email protected]
Sally Schafer
Affiliation:
33A South Canterbury Road, Canterbury, CT1 3LH, Great [email protected]
Get access

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Articles
Information
Papers of the British School at Rome , Volume 77 , November 2009 , pp. 273 - 290
Copyright
Copyright © British School at Rome 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Baldinucci, F.S. (1975) Vite di artisti dei secoli XVII–XVIII di Francesco Saverio Baldinucci; trascrizione, note, bibliografia e indice, ed. A., Matteoli. Rome, De Luca.Google Scholar
Beneš, M. (1999) Algardi a Villa Pamphilj. In J., Montagu (ed.), L'altra faccia del baroccol: 49–60. Rome, Edizioni de Luca.Google Scholar
Benocci, C. (1999) Algardi a Roma. Il Casino del Bel Respiro a Villa Doria Pamphilj. Rome, Edizioni de Luca.Google Scholar
Benocci, C. (2005) (ed.) Villa Doria Pamphili. Rome, Municipio Roma XVI.Google Scholar
Briganti, G. (1982) Pietro da Cortona o della pittura barocca (second edition). Florence, Sansoni Editore.Google Scholar
Campori, G. (1866) Lettere artistiche inedite. Modena, Erede Soliani.Google Scholar
Cerutti Fusco, A. and Schafer, S. (1998) Pietro da Cortona e il Pigneto Sacchetti; fasi, costruttive, committenza, progetto. In C.L., Frommel and S., Schütze (eds), Pietro da Cortona: atti del convegno intemazionale, Roma-Firenze 12–15 novembre 1997: 305–15. Milan, Electa.Google Scholar
Cerutti Fusco, A. and Villani, M. (2002) Pietro da Cortona, architetto. Rome, Gangemi.Google Scholar
Coffin, D.R. (1979) The Villa in the Life of Renaissance Rome. Princeton, Princeton University Press.Google Scholar
Falda, G.B. [and Specchi, A.] (1665–1699) Il nuovo teatro delle fabbriche et edificii in prospettiva di Roma moderna, 4 vols. Rome, Giovanni Giacomo De Rossi.Google Scholar
Fosi, I. (1997) All'ombre dei Barberini; fedeltà e servizio nella Roma barocca. Rome, Bulzoni.Google Scholar
Kieven, E. and Pinto, J. (2001) Pietro Bracci and Eighteenth Century Rome. Drawings for Architecture and Sculpture in the Canadian Centre for Architecture and Other Collections. University Park/Montreal, Pennsylvania State University Press/Canadian Centre for Architecture.Google Scholar
Merz, J.M. (1991) Pietro da Cortona: der Aufstieg zum Führenden Malen im Barocken Rom (Tübinger Studien zur Archäologie und Kunstgeschichte 8). Tübingen, E. Wasmuth.Google Scholar
Merz, J.M. (2008) Pietro da Cortona and Roman Baroque Architecture. Yale, Yale University Press.Google Scholar
Merz, J.M. and Blunt, A. (1990) The Villa del Pigneto Sacchetti. Journal of the Society of Architectural Historians 49: 390–406.CrossRefGoogle Scholar
Montagu, J. (1985) Alessandro Algardi, 2 vols. New Haven/London, Yale University Press.Google Scholar
Peltzer, A. (1925) (ed.) Joachim von Sandrarts Academie der Bau- Bild-und Mahlerey- Künste von 1675. Leben der Brühmten Maler, Bildhauer und Baumeister. Munich, G. Hirth.Google Scholar
Perkins, P. and Schafer, S. (2000) The excavation of the Villa Pigneto Sacchetti. Papers of the British School at Rome 68: 269–320.CrossRefGoogle Scholar
Schafer, S. (1992) The archaeology and architectural history of the Villa delPigneto Sacchetti, Rome. Edinburgh Architecture Research 19: 16–21.Google Scholar
Scott, J.B. (1998) Cortona's Pigneto Sacchetti David cycle and the patron-client affiliation in early modern Rome. In C.L., Frommel and S., Schütze (eds), Pietro da Cortona: atti del convegno internazionale, Roma-Firenze 12–15 novembre 1997: 101–7. Milan, Electa.Google Scholar
Spear, R. (2003) Scrambling for scudi: notes on painters' earnings in early Baroque Rome. Art Bulletin 85 ((3)): 310–20.CrossRefGoogle Scholar
Vasi, G. (1748–1761) Della magnificenze di Roma antica e moderna. Rome, Stamperia del Chracas, Presso S. Marco al Corso.Google Scholar
Wittkower, R. (1985) Art and Architecture in Italy 1600–1750 (third edition). Harmondsworth, Penguin.Google Scholar
Zirpolo, L.H. (2005) Ave Papa Ave Papabile: the Sacchetti Family, their Art Patronage, and Political Aspirations (Centre for Reformation and Renaissance Studies, Essays and Studies 6). Toronto, CRRS publications.Google Scholar