No CrossRef data available.
Article contents
Interactive Interfaces: Installations produced at the ZKM | IMA
Published online by Cambridge University Press: 02 December 2009
Abstract
This article discusses the installations that have been produced at the ZKM | Institute for Music and Acoustics since 1997. The first part of the article will present common characteristics of these installations. The primary quality the installations share is their orientation towards interactivity. Some installations additionally distinguish themselves through their relationship to (computer) games, for example, while others are characterised by their suitability for use as didactic tools. The second part of the article will describe the installations individually and highlight their unique features.
- Type
- Articles
- Information
- Copyright
- Copyright © Cambridge University Press 2009
References
Belschner, T. 2000. Digitale ‘virtuelle’ Welten. In Josef Kloppenburg (ed.) Musik multimedial. Vol. 11 of Handbuch der Musik im 20. Jahrhundert. Laaber: Laaber, 320–346.Google Scholar
DEGEM, n.d. DEGEM CD 08: 90 Sekunden Wirklichkeit – The composers’ comments on their works http://www.degem.de/data/ContentFile/0000000127CD08_Werkkommentare.pdf.Google Scholar
de la Motte-Haber, H. (ed.) 1999. Klangkunst – Tönende Objekte und klingende Räume. Vol. 12 of Handbuch der Musik im 20. Jahrhundert. Laaber: Laaber.Google Scholar
Dutilleux, P. Müller-Tomfelde, Chr. 1999. AML | Architecture and Music Laboratory – A Museum Installation. Proceedings of the 1999 AES 16th International Conference on Spatial Sound Reproduction. Rovaniemi: AES. (Also found at http://netzspannung.org/cat/servlet/CatServlet/$files/221635/02_Rova99-AML-V2.6.pdf).Google Scholar
Föllmer, G. 1999. Klangorganisation im öffentlichen Raum. In H. de la Motte-Haber (ed.) Klangkunst – Tönende Objekte und klingende Räume. Vol. 12 of Handbuch der Musik im 20. Jahrhundert. Laaber: Laaber, 191–227.Google Scholar
Gertich, F. 1999. Klangskulpturen. In Helga de la Motte-Haber (ed.) Klangkunst – Tönende Objekte und klingende Räume. Vol. 12 of Handbuch der Musik im 20. Jahrhundert. Laaber: Laaber, 135–190.Google Scholar
Goebel, J. 1999. Editorial. Booklet of ZKM digital arts edition 3 Small Fish. Karlsruhe: ZKM, 26–27.Google Scholar
Goßmann, J. 2005. Towards an Auditory Representation of Complexity. Proceedings of ICAD 05 – Eleventh Meeting of the International Conference on Auditory Display. Limerick: ICAD, 264–268. (Also found at http://container.zkm.de/musik/downloads/complexity.pdf).Google Scholar
Grau, O. 2004. Immersion and Interaction. From Circular Frescoes to Interactive Image Spaces. In R. Frieling and D. Daniels (eds.) Survey of Media Art. Vol. 1 of Media Art Net. Vienna/New York: Springer, 292–313. (Also found at http://www.medienkunstnetz.de/themes/overview_of_media_art/immersion/).Google Scholar
inter-art-project n.d. KlangWeltKarte/Acoustic World Atlas, (1997) http://www.inter-art-project.de/KlangWeltKarte.html, http://www.inter-art-project.de/Welt%20klingt.html.Google Scholar
Kulturamt Karlsruhe. 1997. Akustische Momentaufnahmen aus aller Welt gesucht. Press releases of the City of Karlsruhe Culture Division in conjunction with the Research Team for Cultural Public Relations from the period April and May 1997, http://www1.karlsruhe.de/Kultur/KiK/Archiv/kika972.htm.Google Scholar
Lintermann, B. n.d.-a. Morphogenesis, http://www.medienkunstnetz.de/works/morphogenesis.Google Scholar
Lintermann, B. n.d.-b. SonoMorphis – Interactive Installation with Genetic Graphics and Sound, http://www.bernd-lintermann.de/SonoMorphis/index.html.Google Scholar
Lintermann, B. Belschner, T. 2007. Sono reMorphed. Video documentation of the opening for Sono-reMorphed on 07 April 2007 in the ZKM Cube performance hall, http://www.dataphonic.de/prod_detail.php?bereich=dc&productnr=1&language=e.Google Scholar
Münch, W. 1999. Small Fish | Behind the Interface. Booklet of ZKM digital arts edition 3 Small Fish. Karlsruhe: ZKM, 29–31.Google Scholar
Psenicka, D. 2008. Epigenesis: A Learning, Interactive Audio/Video Installation. Proceedings of the 11th Biennial Symposium on Arts and Technology. New London, CT: Connecticut College, 155–162.Google Scholar
Staff, H. 1999. Fractal Euphoria, Ten Years On or The Caucus-Race – Remarks on the composer and media artist Kiyoshi Furukawa. Booklet of ZKM digital arts edition 3 Small Fish. Karlsruhe: ZKM, 33–38.Google Scholar
SWO n.d. Thomas Gerwin – Welt klingt, http://www.swo.de/gerwin6.html.Google Scholar
ZKM n.d.-a. bubbles, http://hosting.zkm.de/wmuench/bubbles.Google Scholar
ZKM n.d.-b. Opening Concert of LAC2005 – 3rd International Linux Audio Conference http://lac.zkm.de/2005/lac2005_concert1.pdf.Google Scholar
ZKM n.d.-c. Robert Darroll, Sean Reed: ‘Oracle’ [2005–07], http://www.zkm.de/panoramafestival/index.php?option=com_content&task=view&id=34&Itemid=77&lang=en.Google Scholar
ZKM n.d.-d. small_fish, http://hosting.zkm.de/wmuench/small_fish.Google Scholar
ZKM n.d.-e. Thomas Gerwin :: KlangWeltKarte [1997], http://on1.zkm.de/zkm/werke/KlangWeltKarte.Google Scholar
ZKM n.d.-f. Torsten Belschner, Johannes Goebel, Bernhard Sturm :: Musikschrank Rheingold [1999], http://on1.zkm.de/zkm/werke/MusikschrankRheingold.Google Scholar
Dipper movie 1
KlangWeltKarte
Video
21.2 MB
Dipper movie 2
AML
Video
16.9 MB
Dipper movie 3
Sono reMorphed
Video
19.5 MB
Dipper movie 4
Small Fish
Video
18.4 MB
Dipper movie 5
Bubbles
Video
17 MB
Dipper movie 6
Algorithmic Echolocation
Video
16.5 MB
Dipper movie 7
Audio Fraktal
Video
19.9 MB
Dipper movie 8
Pattern Machine
Video
4.8 MB
Dipper movie 9
Random Machine
Video
6.8 MB
Dipper movie 10
Epigenesis
Video
19.4 MB
Dipper movie 11
Mozart-Wurfel
Video
7.7 MB
Dipper movie 12
Oracle
Video
21.5 MB
Dipper movie 13
Sonoloop
Video
12.3 MB