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Published online by Cambridge University Press: 26 August 2015
1 For a discussion of this term, see Hung, Eric, ‘Why Don’t They Call the Musicologist?’, AMS Newsletter 45/2 (2014): 6, 12Google Scholar.
2 See, for example, Gossett, Philip, ‘“Edizioni distrutte” and the Significance of Operatic Choruses during the Risorgimento’, in Opera and Society in Italy and France from Monteverdi to Bourdieu, ed. Victoria Johnson, Jane E. Fulcher and Thomas Ertman (Cambridge: Cambridge University Press, 2007): 181–242CrossRefGoogle Scholar, and Parker, Roger, ‘Verdi Politico: A Wounded Cliché Regroups’, Journal of Modern Italian Studies 17/4 (2012): 427–436CrossRefGoogle Scholar.
3 Rescigno, Eduardo, ed., Dizionario verdiano (Milan: Biblioteca universale Rizzoli, 2001)Google Scholar.
4 Gerhard, Anselm and Schweikert, Uwe, eds, Verdi Handbuch (Kassel: Bärenreiter, 2001)CrossRefGoogle Scholar.
5 Balthazar, Scott L., ed., The Cambridge Companion to Verdi (Cambridge: Cambridge University Press, 2004)CrossRefGoogle Scholar.