Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-25T19:22:34.816Z Has data issue: false hasContentIssue false
  • English
  • Français

Rachel Cowgill and Hilary Poriss, eds., The Arts of the Prima Donna in the Long Nineteenth Century (Oxford: Oxford University Press, 2012). xlvi + 368 pp. $35.00 US

Published online by Cambridge University Press:  01 April 2014

Sylvia L’Écuyer
Sylvia L’Écuyer*
Affiliation:
Université de Montré[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 11 , Issue 1 , June 2014 , pp. 145 - 149
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Kellogg, Clara Louise, Memoirs of an American Prima Donna (New York and London: G.P. Putnam's Sons, 1913): 63Google Scholar.

2 Clément, Catherine, Opera, or the Undoing of Women, trans. Betsy Wing (Minneapolis: University of Minnesota Press, 1999)Google Scholar.

3 Gautier, Théophile, ‘La Diva’, in La Comédie de la mort (Paris: Desessart, 1838): p. 154Google Scholar.

4 Moore, George, Evelyn Innes (London: T. Fisher Unwin, 1898)Google Scholar.

5 The title of Sophie Fuller's essay, ‘ “The Finest Voice of the Century”’ is ‘… credited to Emma Albani in the article “Two Great Vocalists,” Aberdeen Weekly Journal, February 6, 1899;’ see endnote 1, p. 325.