Dante and Two Friars: Paradiso XI—XII

Extract

A contemporary of Dante’s, opening the Divine Comedy for the first time, would probably have expected to find St. Francis among le beate genti, or at least to hear his praises sung by them, and that independently of any particular interest in the Franciscan Order, such was the esteem in which ‘il santo d‘Assisi’ was held. St. Dominic, on the other hand, an incomparably less popular figure, is unlikely even to have crossed the mind of such a reader except, perhaps, in connection with the well-known confraternity he founded. For the average Catholic of those times, Dominic had already become what he has remained, one of those holy ‘founders’ about whom one knows or cares little, well-nigh obscured as they are by the universally accepted and venerated institutes which they founded. Even the Dominicans themselves seem, on the whole, not to have fully appreciated the extraordinary character of the man to whom they owed so much. Apart from the biographical sketch in the Libellus of Jordan of Saxony (d. 1237), Dominic’s immediate successor in the government of the Order—a sketch which was historical rather than hagiographical, written that is to describe ‘the origin of the Order of Preachers’—and from the depositions by the witnesses at the two Processes, at Bologna and Toulouse, prior to his canonization in 1234, biographical material concerning Dominic is sparse, or, rather, scattered piecemeal among conventional legendary accretions.