Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-11-28T13:03:11.160Z Has data issue: false hasContentIssue false

Experimentation in Manufacturing Zinc Orange Pigment

Published online by Cambridge University Press:  21 February 2017

Kathryn Harada*
Affiliation:
Art Conservation Department, State University of New York at Buffalo, 1300 Elmwood Avenue Buffalo, New York14222U.S.A.
Aaron Shuger
Affiliation:
Art Conservation Department, State University of New York at Buffalo, 1300 Elmwood Avenue Buffalo, New York14222U.S.A.
Rebecca Ploeger
Affiliation:
Art Conservation Department, State University of New York at Buffalo, 1300 Elmwood Avenue Buffalo, New York14222U.S.A.
*
Get access

Abstract

Zinc orange is a rare and relatively undocumented pigment. Mention of this pigment in the literature indicated its short lived availability to artists in the nineteenth century and that it is unstable, but does not address any specific issues related to its degradation. The synthesis of the original pigment is discussed. In addition, a full characterization of the pigment is presented including XRF, FTIR, Raman and optical microscopy. Research into its degradation mechanisms was also undertaken, and the light fastness of the pigment is presented.

Type
Articles
Copyright
Copyright © Materials Research Society 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Field, G., and Salter, T. W.. Chromatography. (Windsor and Newton, London, 1869) p. 261.Google Scholar
Eastaugh, N., et al. , Pigment Compendium: A Dictionary and Optical Microscopy of Historical Pigments (Butterworth-Heinemann, Burlington, MA, 2008) p. 423.Google Scholar
Poulin, J. (private communication 2015).Google Scholar
Georgievics, G. and Salter, C., Chemistry of Dye-Stuffs, (Scott, Greenwood & Co, London, 1903).Google Scholar
Saunders, D. and Kirby, J., The Effect of Relative Humidity on Artists’ Pigments , in National Gallery Technical Bulletin vol. 25, (National Gallery, London, 2004)Google Scholar
Enterprises, Consultants Bureau, and Consultants Bureau. 1966. Journal of Analytical Chemistry of the USSR: Consultants Bureau.Google Scholar