This article examines the recent political history of the Devendrakula Vellalars (henceforth, Devendras). Officially recognized by the state and union governments in 2020 and 2021, this novel consolidated caste formation includes a broad range of formerly endogamous ‘Untouchable’ communities spread throughout Tamil Nadu but most highly concentrated in its southern half. I argue that the communities constituting the Devendras have been socio-economically diverse for at least the past century and thus do not necessarily share the same political priorities. They have, nonetheless, attempted to unite in opposition to the politically powerful Thevars (Other Backward Class or OBC) who are themselves a consolidated caste formation that grew out of colonial domination. The Devendras's economic diversity has, however, troubled their oppositional political consolidation, compelling the production of revisionist mythico-histories that appeal to widely held desires for authority and honour. Disavowing the Dalit past and recasting the Devendras as the descendants of heroes, such mythico-histories produce a collective identity characterized by the ideals of righteous self-sacrifice, valour, and agrarian civility. Devendras's identarian claims are, however, reliant on the acceptance of internal and external audiences, some of which violently oppose their assertions. They nevertheless seek recognition, and in so doing empower themselves by gathering strength in numbers.

Survey data on Indian labour points to a rapid expansion of the care-domestic economy, currently the main employment avenue for urban women. Hitherto, studies on domestic service portray the unequal class structures of master–servant relationships and the escalating phenomenon of live-out and part-time hired help. This article shifts the focus to under-researched, yet increasingly visible, placement agencies, which regulate care-domestic markets and provide diverse services, from specialized ‘patient care’ to the training of subaltern communities. The article discusses how these service providers denote prominent shifts in skill sets, intra-household care arrangements, forms of medical assistance, and new (and old) mechanisms of authority. The ethnography expands our knowledge of everyday mediations around hiring and training between agencies, employers, and care-domestic workers in New Delhi. The article puts forward innovative conceptualizations of service provider approaches through juxtaposing the informal practices of local (or Indian) agencies with formalized and ‘civilizing’ agendas developed by Euro-American intermediaries. The formal–informal dichotomized framework of service provider relationships adds to critical scholarship that contrived dualisms which need historical scaffolding and nuanced engagement. I argue that, while informal and formal approaches appear markedly different for the care-domestic economy, they also overlap. Significantly, both approaches are unjustly weighted against the workers who lack the potential to democratize labour relations. Local agencies reinforce exploitative care-domestic relationships, while Euro-American intermediaries, who espouse modern values, formalization, and civilizing experiments, promulgate punitive regimes and stigmatized futures for their Indian subjects.

Through an engagement with the histories of Muslim pasts, presences, and absences in the locality of Jangpura-Bhogal in the Indian capital city of Delhi, this article examines the constitutive relationship between displacements and city-making. It addresses Jangpura-Bhogal's post-colonial history (1947–present) through instances of the erasure of Muslim property, spaces, and histories, and the reoccupations, replacements, and redefinition of spaces, properties, and memories that they constituted. The article shows how protracted material displacements of Muslim property and spaces have contributed to the erasure of a Muslim historical presence from Jangpura-Bhogal. By tracing the afterlives of these material displacements, it tracks how narrative discourses draw on these Muslim absences and the sense of an abstract ‘diverse space’ to produce new sets of exclusions and practices of Othering in the present. The discussion focuses on the processual/everyday, ‘below the radar’, and, at times, invisible displacements, more than sudden eruptions of violence or overt ideological projects aimed at a deliberate Muslim erasure. Thus, Delhi's post-colonial history is not only about the well-rehearsed story of migrations and arrivals but equally about departures and displacements that have produced the neighbourhood and the city as particular kinds of majoritarian places and spaces. Current acts of Muslim displacement, that is, the Delhi ‘riots’ of February 2020 are enabled not only through visible and violent histories of Muslim marginalization, but also by longer histories of non-overt erasures, displacements, and replacements.

The role of skills has been eclipsed in the transition from an agrarian-craft economy rooted in hand-labour in small households to a modern political economy where productive work takes place outside the household, in offices and factories. Yet the ideological erasure of skilled work should not be confused with its actual disappearance. Precisely because such work was typically construed as private and unimportant, the embedded hierarchies and skills that shaped the handloom weaving industry in the North Indian province of United Provinces under colonial rule could escape systematic conversion to capitalist structures. Skill as human capital constituted the capitalist labour processes in the modern handloom industry, not as an abstract act, but as a historical experience. Handloom workers were reproduced, generationally, socially, and hierarchically, through the passing on of skilled labour within the unorganized informal sector of handloom weaving. Thus the stuff of community skills should move beyond its projection as either ‘endangered’ or ‘regressive’ to explore its access to capitalist structures and the exploitative networks that contain, transmit, and enable the production of skills.

In this article, Mughal understandings of their own past are reconstructed from the standpoint of Mughal paramountcy in around 1700. That was the moment of the empire's greatest territorial reach, when it knew no peer nor threat. To reconstruct contemporary understandings of how this situation came about, histories of the Mughal empire composed by governing officials of the time are analysed using a novel approach rooted in a particular distinction between constants and contingencies. These understandings allow us to recapture the political sociology of empire as apprehended by the Mughal elites. The article's findings are of value for two reasons. Narrowly construed, they help fill a lacuna in mainstream views on Mughal historiography, traditionally dominated by Akbar and his reign, and imbued with the logic of decline (and of its corollary, the transition to colonialism). More broadly, because of the weight accorded to knowledge of the past in the formation of Mughal ruling elites, the findings provide fresh insights into the cognitive framework within which these elites operated at a moment recognized as highly significant then, and in retrospect.

Drawing on ethnographic data collected in China, the United Arab Emirates (UAE), and India, this article explores the life-world and practices of small-scale Indian export agents based in Yiwu, China, the world centre for the export of small commodities. It shows that in a market overdetermined by fast-moving goods, short-term gains, and low margins, export agents have to steer their way between acting with extreme caution or taking risks with their clients and suppliers. These apparently contradictory dispositions or orientations are negotiated by the judicious exercise of mistrust and suspicion. The article suggests not only that mistrust is valued and cultivated as an indispensable practical resource for success in Yiwu's export trade, but that contingent relations of trust between market players emerge at the interstices of a generalized mutual mistrust, via the mobilization of practices of hospitality, commensality, and masculine conviviality. Indeed, feelings of amity and mutuality elicited by the performance of modalities of social intimacy become the affective terrain upon which divergent economic interests might be reconciled and taken forward. That is, mistrust might not lead to generalized distrust, instead a situational or contingent trust might actually emerge through the judicious exercise of mistrust.

Climate change and rising sea levels, which threaten many Asian and other coastal cities, have returned the question of adaptation to unstable marine surfaces to the global discussions about urbanization, as was illustrated by a recent United Nations (UN) roundtable. As de facto counterproposals to hydroelectric dams and similar regional development projects, floating or elevated structures reject land reclamation and terrestrialization processes. Consequently, the rapidly growing number of offshore structures, which often constitute unconventional settlements, have contributed to an amphibious transformation of Earth's surface in the course of the twentieth and early twenty-first centuries. This amphibious transformation meant that both terrestrial and aquatic places have turned into human habitats. This article asks how and why today's leading environmental-political strand in large-scale marine urbanization emerged from the waters of Tokyo Bay. It investigates Japanese star architect Tange Kenzō's ‘Plan for Tokyo 1960’ (1961) and world-renowned American designer R. Buckminster Fuller's floating design called ‘Tetrahedronal City’ (1966). Emphasizing the important role that Asian cities have played in shaping global urbanization ideas and practices, Tokyo Bay became a node in the global cybernetics revolution that moved urban design into the information age. Tange's and Fuller's evolution-inspired cybernetic designs used the post-war communication technology revolution to replicate, through artificial communication networks, the biological communication systems that enable organisms to interact with their environments. Applying communication technology to recreate, in floating or elevated structures, the biological processes of growth, adaptation, mobility, and autonomy became the central environmental-political strand for large-scale marine urbanization and reducing its ecological footprint.

Anger as an emotion is seldom attributed to Akbar (r. 1556–1605), the most admired of the Mughal emperors. Yet, on one notable day in 1578, he allegedly got so enraged that he almost lost his mind, according to Dalpat Vilas, an obscure chronicle composed in the vernacular. While the aftermath of Akbar's anger was reported in several Persian histories emanating from court circles, the royal rage itself was not. Why and how Dalpat Vilas ascribed anger, not only to the emperor but also to the local king, Raja Ray Singh of Bikaner, is the central issue addressed here. What little we know about the history of anger in precolonial India indicates it was an emotion that kings were advised to avoid, in both Sanskrit and Persian literature. But, from the more subaltern vantage point of Dalpat Vilas, written for a young Rajput warrior in a local dialect, rulers did act angrily and not always justly. This case illustrates the historiographic value of Indic-language texts sponsored by local subordinates of the Mughals, which can provide alternative perspectives on the empire. It also suggests the existence of multiple emotional communities in Mughal India, in which the significance of anger differed.

In recent debates in the field of urban studies, issues of informality, marginal settlements, and extreme poverty have often been analysed in relation to the dynamics that transformed spatial and social balances with respect to neo-liberal economic policies. The restructuring of spaces, infrastructure, and economies that marked the success of changing paradigms of urban planning since the 1990s has been widely seen to be responsible for the extensive marginalization of the most vulnerable strata of society. In order to understand the emergence of areas considered informal—or illegitimate—this article aims to question the very validity of categories such as ‘informality’ when applied to analysing the transition from medium-sized urban centres to ‘mega-cities’ (a label that, in itself, blindly recalls the allure of modernization, technology, and development).1 It does so by adopting a longer term perspective in analysing the evolution of a municipal housing project for the resettlement of slumdwellers in Ahmedabad, India, in 1978, which, in the span of four decades, turned into a substandard informal settlement and then into a ‘Muslim city’ called Juhapura. Widely known in India as the ‘biggest ghetto in South Asia’, this area is an observatory for reconsidering the significance of concepts such as informality, illegality, temporariness, and people's legitimacy as citizens.

In this roundtable discussion, five scholars of modern India with diverse methodological training examine aspects of Rupa Viswanath's 2014 book, The Pariah Problem: Caste, Religion, and the Social in Modern India, and assess its arguments and contributions. This book has made strong challenges to the scholarly consensus on the nature of caste in India, arguing that, in the Madras presidency under the British, caste functioned as a form of labour control of the lowest orders and, in this roundtable, she calls colonial Madras a ‘slave society’. The scholars included here examine that contention and the major subsidiary arguments on which it is based. Uday Chandra identifies The Pariah Problem with a new social history of caste and Dalitness. Brian K. Pennington links the ‘religionization’ of caste that Viswanath identifies to the contemporary Hindu right's concerns for religious sentiment and authenticity. Lucinda Ramberg takes up Viswanath's account of the constitution of a public that excluded the Dalit to inquire further about the gendered nature of that public and the private realm it simultaneously generated. Zoe Sherinian calls attention to Viswanath's characterization of missionary opposition to social equality for Dalits and examines missionary and Dalit discourses that stand apart from those that Viswanath studied. Joel Lee extends some of Viswanath's claims about the Madras presidency by showing strong parallels to social practices in colonial North India. Finally, Viswanath's own response addresses the assessments of her colleagues.

This article studies two seismic decades in the history of the Garo community, marked out in colonial records as among the most violent and isolated people that British rule encountered in eastern and northeastern India. Through a densely knit historical narrative that hinges on an enquiry into the colonial reordering of the core elements of the regional political economy of eastern and northeastern India, it will train its focus on the figure of the rebellious Garo peasant and on the arresting display of Garo recalcitrance between 1807 and 1820. Reading a rich colonial archive closely and against the grain, the article will depart from extant historiography in its characterization of the colonial state in the early nineteenth century as well as of its relationship with ‘tribes’/‘peasants’ in eastern and northeastern India. A critique of the idea of primitive violence and the production of the ‘tribe’ under conditions of colonial modernity will occupy the latter half of the article. Here it will argue that the numerous and apparently disparate acts of headhunting, raids, plunder, and burning by the Garos on the lowlands of Bengal and Assam were in fact an assembling of the first of a series of sustained peasant rebellions in this part of colonial India—a powerful manifestation of a community's historical consciousness of the loss of its sovereign self under British rule.

This article scrutinizes the negotiations with, and discursive refashioning of, Hong Kong identity during and after the Umbrella Movement (2014–16). I argue that these discursive experimentations borne out of the Umbrella Movement bring to light Hong Kong's uniquely cultural formulations of democratic self-determination that exceed the traditional analytic framework of Hong Kong cultural studies. The article analyses literary works as a hitherto neglected facet of the ‘Umbrella culture’ that, as a whole, acts as a discursive laboratory for multiple reflexive theorizations of Hong Kong identity and democratic subjectivity to be devised and debated. Cases studied here include the protesters’ on-site cultural expressions and two major Hong Kong literary authors: Dung Kai-cheung and Wong Bik-wan. This article examines social-movements artworks and literary works in terms of their performative and ethnographic dimensions, arguing that they are important intellectual and cultural-political processes to produce new knowledge about collective identity. This article first demonstrates how the Umbrella artworks repurpose the performative and the ethnographic strategies in Saisai's canonical novel, My City (1975), often cited as the ur-text of Hong Kong identity, to proclaim themselves as ‘we the Hong Kong people’. After reading Dung's and Wong's Umbrella-related works, I then show in this article that the performative and the ethnographic can open up spaces to reconfigure collective identity beyond its existent discourses. Putting theories of performativity into dialogue with critical ethnography, I consider the politics of negotiating and debating cultural identity in literature and protest arts as integral to postcolonial democratic action.

The mando is a secular song-and-dance genre of Goa whose archival attestations began in the 1860s. It is still danced today, in staged rather than social settings. Its lyrics are in Konkani, their musical accompaniment combine European and local instruments, and its dancing follows the principles of the nineteenth-century European group dances known as quadrilles, which proliferated in extra-European settings to yield various creolized forms. Using theories of creolization, archival and field research in Goa, and an understanding of quadrille dancing as a social and memorial act, this article presents the mando as a peninsular, Indic, creolized quadrille. It thus offers the first systematic examination of the mando as a nineteenth-century social dance created through processes of creolization that linked the cultural worlds of the Indian and Atlantic Oceans—a manifestation of what early twentieth-century Goan composer Carlos Eugénio Ferreira called a ‘rapsodia Ibero-Indiana’ (‘Ibero-Indian rhapsody’). I investigate the mando's kinetic, performative, musical, and linguistic aspects, its emergence from a creolization of mentalités that commenced with the advent of Christianity in Goa, its relationship to other dances in Goa and across the Indian and Atlantic Ocean worlds, as well as the memory of inter-imperial cultural encounters it performs. I thereby argue for a new understanding of Goa through the processes of transoceanic creolization and their reverberation in the postcolonial present. While demonstrating the heuristic benefit of theories of creolization to the study of peninsular Indic culture, I bring those theories to peninsular India to develop further their standard applications.

This article investigates the circular intra- and transimperial movements of medical experts from colonial India in three imperial settings. The analysis of the trajectories of José Camillo Lisboa, Paramananda Mariadassou, and Mary Poonen Lukose highlights, first, how crucial freedom of movement—not only between parts of the same empire, but also across empire borders and between their metropoles as well as their colonies—was for individuals; secondly, how questions of citizenship, the recognition of degrees and certificates, and notions of gender, race, class, and place of origin played a role in enabling or preventing Indians living in Portuguese, French, or British India from studying or working elsewhere; and thirdly, how this in turn had an effect on their potential social mobility, which depended on the historical contingency of time and place, and the opportunities and limitations in these contexts. The article argues that through their chosen careers and their sociopolitical activities they expanded conventional notions of citizenship and lived as global citizens.

On 12 November 1970, the Bhola Cyclone swept across the southern districts of East Pakistan, killing over 300,000 people. Small islands were swept away and dead bodies of humans and cattle lay strewn across the devastated landscape. Following the news of the destruction, journalists, students, artists, and political workers rushed to the affected area with basic relief supplies, without waiting for the Military Law Administration (MLA) to intervene. The cyclone's occurrence just three weeks prior to the first general elections in Pakistan added a new dimension to the already simmering political crisis. The extensive media coverage of the disaster brought the pitiful state of infrastructural development and lack of governance in East Pakistan under local and global scrutiny. The cyclone and the corresponding issues soon became embroiled within the larger political demand for regional autonomy. The MLA came under attack from sections of East Pakistan's politicians, press, and public, as well as international political actors, for its poor disaster governance. This article uses the Bhola Cyclone of 1970 as the lens to explore the complex interconnections between environmental disasters and a key issue of governance. While the Bhola Cyclone has been a subject of recent discussions, this article uses a disaster-politics analytical framework to understand the disaster's role in the subsequent political turbulence and the emergence of Bangladesh.

This article identifies a moment of conceptual innovation—the 1830s to the 1850s—in which everyday artists and writers in Siam were tasked with creating comparative representations of the peoples of the world. Although their compositions took a variety of formats, they departed from earlier representations of alterity by devoting equal attention to each ‘type’, including the Thai themselves. This approach is best exemplified in three mid-nineteenth-century works: (1) a set of archetypal portraits of about 20 peoples painted on the shutters of a major Buddhist monastery, (2) sculptures of 32 peoples at the same monastery with a short poem describing each one, and (3) entries defining terms for peoples in an early Thai–Thai dictionary. The systematic formatting of these works drew on similar compositions circulating across the nineteenth-century globe. Yet, despite the presence in Bangkok of foreign interlocutors and imported books and prints, the mid-nineteenth-century compositions preserve ethnic tropes and practices of expression specific to Siam. In addition, the agents of intellectual innovation were not restricted to the usual princely or missionary protagonists. It was a motley cast of anonymous artists, local scholars, and middling officials who tapped traditional genres of composition and local markers of differentiation to render the peoples of the world as comparable, generic, and fixed.

Drawing on ideas from ecocriticism, literary animal studies, and post-colonial studies, as well as anthropology and cultural studies, this article examines the representations of animals in contemporary Sino-Mongolian literature and art, and the various connections between these representations and issues related to ethnic and environmental politics. I propose that the intensive engagement of Chinese-Mongolian writers and artists with animals is related first and foremost to the central role that animals, both wild and domesticated, have traditionally played in Mongolian nomadic pastoralist culture. However, I also argue that it is closely connected to two interrelated processes that are currently taking place in Inner Mongolia: the severe degradation of the Inner Mongolian grassland and the rapid sinicization of China's Mongols. I suggest that in the context of this environmental and cultural crisis, the engagement with animals reflects anxiety about the fate of the Inner Mongolian grassland, the fate of real animals, which, for centuries, have been closely associated with this landscape and Mongolian nomadic culture, and, most importantly, the fate of Mongolian culture itself. I also argue that Sino-Mongolian writers and artists use literary and artistic animals to construct and assert Mongolianness as part of their search for an ‘authentic’ ethnic identity, and to comment critically on the impact that Chinese domination has had on the Inner Mongolian grassland, its indigenous human and non-human inhabitants, and Mongolian culture and identity. Finally, I propose that through their ethnic environmentalism, Chinese-Mongolian artists and writers have made an important contribution to the development of China's environmental movement.

In the 1910s and 1920s, when Indonesian communists first seriously engaged with Marxism, they faced the questions of how to translate Marx's concepts from Dutch, the language in which they generally encountered them, into Malay, the lingua franca of the Indonesian archipelago, and how to make these ideas relevant in an Asian and largely Islamic context. Focusing on three aspects of Marxism—the ‘scientific’ nature of communism, class conflict in feudal and capitalist society, and the relationship between communism and Islam—I argue that Indonesian communists alternated between transliteration and translation in their exposition of Marxism. Transliterating ‘universal’ Marxist categories such as proletarian (proletar) and capitalism (kapitalisme) allowed Indonesian communists to speak in global terms and strengthened their claim that Marxism was a science with a universal terminology. At the same time, there was a process of ‘localization’, whereby foreign Marxist materials were translated to bring them closer to local cultural norms. Malay substitutes were found for Marx's typology of classes and historical eras, while Arabic terms associated with Islam were used to add a moral dimension to the Marxist critique of capitalism. These translations grounded Marxism in Islam and Indonesian history, but also elevated vernacular terms to universal status by eliding them with Marx's categories. The resulting style of Indonesian Marxism was multilingual. From the 1930s, however, Indonesian nationalists consciously moved away from transliteration, devising a more thoroughly Indonesian political vocabulary to replace Marx's terms, though one still clearly influenced by Marxism.

The cultural and historical dimensions of rural lives matter. However, development practitioners and writings tend to play down these aspects. This article demonstrates the significance of oral history in revealing the meanings of women smallholders’ millet-based foodways in southern India. It argues that women farmers’ cultural practices around food constitute fundamental ‘capabilities’ nurtured over a long historical duration, and are essential to any meaningful articulation of ‘development’. Drawing on age-old spiritual beliefs and practices involving non-human entities, the women demonstrate fine-tuned skills in nurturing seeds and growing crops, in preparing and cooking food, and in discerning food tastes, particularly in relation to the local staple ragi, or finger millet. They also express their creativity in the joys of performing songs and farming rituals linked to the agricultural cycle. In this way, cultural capabilities express significant dimensions of women's agency exercised in the intimately related spheres of food and farming. Oral history thus emerges as a research method capable of generating insights into concrete manifestations of culture over a significant historical duration, one that is particularly conducive to reclaiming the voices and life experiences of subaltern groups such as women smallholders who are either not heard or are marginalized in written contemporary and historical documentary records.