Aaron A. Fox, Real country: Music and language in
working-class culture. Durham, NC: Duke University Press, 2004. Pp.,
363. Hb $79.95, Pb $22.95.
The past decade has seen a spate of books about country music.
Following in the footsteps of classic work by Bill Malone, a number of
these recent works are outstanding, but even the best among them (Peterson
1999; Tichi 1994,
1998; Jensen 1998)
have taken a Nashville-centric perspective (or, in the case of Ching 2003, anti-Nashville-centrism), exploring and
interrogating the development of country as a commercial genre. Aaron
Fox's Real country, by contrast, is distinctive in its
detailed ethnographic exploration of country as a lived working-class
reality expressed in linguistic and musical discourse forms.