Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-25T21:31:16.615Z Has data issue: false hasContentIssue false

Tense variation as a performance feature in a Scottish folktale

Published online by Cambridge University Press:  19 February 2009

Dick Leith
Affiliation:
15 Claremont Road, Leamington Spa, Warks. CV31 3EH, England

Abstract

Analysis of two versions of a long fairy tale, “The Green Man of Knowledge,” as narrated by the same storyteller on two separate occasions, shows considerable variation in the use of performance features, especially the historic present tense. One narration is in “additive” style, with the historic present as the norm; the other shows a gradual “breakthrough to performance,” with the historic present dominant in certain segments. There are more patterns in the use of this tense, and more factors affecting it, than have hitherto been acknowledged; it may be instructive to see how it co-occurs with other performance features. The discussion raises questions about the usefulness of quantitative analysis, and about issues of meaning, genre, audience, and the individuality of the storyteller. (Folklore; Scots; narratology; genre; rhetoric; qualitative analysis)

Type
Research Article
Copyright
Copyright © Cambridge University Press 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Aitken, A. J.. (1978). Oral narrative style in Middle Scots. In Blanchot, J. J. & Graf, C. (eds.), Actes du 2e Colloque de Langue et de Littérature Écossaises, 98112. Strasbourg: Université de Strasbourg.Google Scholar
Bauman, Richard (1977). Verbal art as performance. Rowley, MA: Newbury House.Google Scholar
Bauman, Richard (1986). Story, performance, event. Cambridge & New York: Cambridge University Press.CrossRefGoogle Scholar
Bruford, Alan (1982), ed. The Green Man of Knowledge and other Scots traditional tales. Aberdeen: University Press.Google Scholar
Fairclough, Norman (1989). Language and power. London: Longman.Google Scholar
Fleischman, Suzanne (1990). Tense and narrativity. London.“Routledge.Google Scholar
Fowler, Roger (1986). Linguistic criticism. Oxford & New York: Oxford University Press.Google Scholar
Gimson, A. C.. (1980). An introduction to the pronunciation of English. 3rd edn. London: Arnold.Google Scholar
Henderson, Hamish (1958). The Green Man of Knowledge. Scottish Studies 2:4761.Google Scholar
Henriques, Julian et al. (1984). Changing the subject: Psychology, social regulation, and subjectivity. London: Methuen.Google Scholar
Hymes, Dell (1974). Breakthrough into performance. In Ben-Amos, Dan & Goldstein, Kennet (eds.), Folklore: Performance and communication, 1174. The Hague, Mouton.Google Scholar
Johnstone, Barbara (1987). “He says⃛so I said:” Verb tense alternation and narrative depictions of authority in American English. Linguistics 25:3352.CrossRefGoogle Scholar
Johnstone, Barbara (1991). Individual style in an American public opinion survey: Personal performance and the ideology of referentiality. Language in Society 20:557–76.CrossRefGoogle Scholar
Labov, William (1972). The transformation of experience in narrative syntax. In his Language in the inner city, 354–96. Philadelphia:University of Pennsylvania Press.Google Scholar
Leith, Dick (1995a). The historic present in Scottish Traveller folktales. To appear in Lore and Language.Google Scholar
Leith, Dick (1995b). On transcribing Scots folktale performance. To appear in Scottish Studies.Google Scholar
Polanyi, Livia (1985). Telling the American story: A structural and cultural analysis of conversational storytelling. Norwood, NJ: Ablex.Google Scholar
Rimmon-Kenan, Shlomith (1983). Narrative fiction: Contemporary poetics. London: Methuen.CrossRefGoogle Scholar
Schiffrin, Deborah (1981). Tense variation in narrative. Language 57:4562.CrossRefGoogle Scholar
Sherzer, Joel, & Woodbury, Anthony (1987), eds. Native American discourse: Poetics and rhetoric. Cambridge & New York: Cambridge University Press.Google Scholar
Tannen, Deborah (1989). Talking voices: Repetition, dialogue, and imagery in conversational discourse. Cambridge & New York: Cambridge University Press.Google Scholar
Tauroza, S., & Allison, D.. (1990). Speech rates in British English. Applied Linguistics 11:90105.CrossRefGoogle Scholar
Taylor, Talbot, & Toolan, Michael (1984). Recent trends in stylistics. Journal of Literary Semantics 13:5759.Google Scholar
Tedlock, Dennis (1983). The spoken word and the work of interpretation. Philadelphia: University of Pennsylvania Press.CrossRefGoogle Scholar
Uspensky, Boris (1979). A poetics of composition. Berkeley: University of California Press.Google Scholar
Williams, Glyn (1992). Sociolinguistics: A sociological critique. London: Routledge.Google Scholar
Williamson, Duncan, & Williamson, Linda (1987). A thorn in the king's foot. Harmondsworth: Penguin.Google Scholar
Wolfson, Nessa (1979). The conversational historic present alternation. Language 55:168–82.CrossRefGoogle Scholar
Wolfson, Nessa (1982). CHP: The conversational historic present in American English narrative. Dordrecht: Foris.CrossRefGoogle Scholar