Research Article
Re-producing Klinghoffer: Opera and Arab Identity before and after 9/11
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- 01 August 2009, pp. 273-310
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Bernstein's The Joy of Music as Aesthetic Credo
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- Published online by Cambridge University Press:
- 01 August 2009, pp. 311-339
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Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race
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- Published online by Cambridge University Press:
- 01 August 2009, pp. 341-363
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Book Review
Freedom Sounds: Civil Rights Call Out to Jazz and Africa. By Ingrid Monson. New York: Oxford University Press, 2007.
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- 01 August 2009, pp. 365-369
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George Gershwin: His Life and Work. By Howard Pollack. Berkeley: University of California Press, 2007.
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- 01 August 2009, pp. 370-374
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Swing Along: The Musical Life of Will Marion Cook. By Marva Griffin Carter. New York: Oxford University Press, 2008.
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- 01 August 2009, pp. 375-379
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Hitchcock's Music. By Jack Sullivan. New Haven, Conn.: Yale University Press, 2006.
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- 01 August 2009, pp. 379-381
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Recording Reviews
Johanna Beyer. Sticky Melodies. Astra Chamber Music Society, John McCaughey, musical director. New World Records 80678-2, 2008.
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- 01 August 2009, pp. 383-386
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William Bolcom, Songs of Innocence and of Experience, Naxos 8.559216018 (3 CDs), 2004.
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- 01 August 2009, pp. 386-388
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Ulysses Kay: Works for Chamber Orchestra. Metropolitan Philharmonic Orchestra, Kevin Scott, conductor. Albany Records, TROY 961, 2007.
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- 01 August 2009, pp. 388-390
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Multimedia Review
Justo Valdez & La Rumba Palenquera: Tribute to Batata. Claude Santiago, director. La Huit, 2007.
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- 01 August 2009, pp. 391-393
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Front Cover (OFC, IFC) and matter
SAM volume 3 issue 3 Cover and Front matter
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- 01 August 2009, pp. f1-f8
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Back Cover (IBC, OBC) and matter
SAM volume 3 issue 3 Cover and Back matter
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- 01 August 2009, pp. b1-b3
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