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Songs and Symphonies of Life and Death - Donald Mitchell, Gustav Mahler, Songs and Symphonies of Life and Death Interpretations and Annotations. London, Faber, 1986. 659 pp ISBN 0 571 13634 6
Published online by Cambridge University Press: 01 January 2020
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- Copyright © 1988 Royal Musical Association
References
1 Mitchell, Donald, Gustav Mahler The Early Years, rev edn, ed Paul Banks and David Matthews (London, 1980)Google Scholar
2 Mitchell, Donald, Gustav Mahler The Wunderhorn Years (London, 1975)Google Scholar
3 Henry-Louis de La Grange, Gustav Mahler Chronique d'une vie, 3 vols. (Paris, 1979–84)Google Scholar
4 Mitchell, Donald, ‘Mahler's “Abschied” A Wrong Note Righted’, The Musical Quarterly, 71 (1985), 200–4Google Scholar
5 See also the remarks by Michael Kennedy in his review of the present volume, The Musical Times, 127 (1986), 153CrossRefGoogle Scholar
6 See, for example, ‘Mahler and Freud’, in Gustav Mahler The Wunderhom Years, 70–8Google Scholar
7 Mahler's Weltanschauung has been exhaustively considered in another major work recently completed Constantin Floros, Gustav Mahler, 3 vols (Wiesbaden, 1977–85)Google Scholar
8 See, for example, Mayer, Hans, ‘Musik und Literatur’, in Gustav Mahler (Tubingen, 1966), 142–56, Wenk, Arthur, ‘The Composer as Poet in Das Lied von der Erde’, Das Lied von der Erde 1 (1977), 33–47, Susanne Vill, Vermittlungsformen verbalmerter und musikalischer Inhalte in der Musik Gustav Mahlers (Tutzing, 1979)Google Scholar
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12 Lorenz, Alfred, Das Geheimnis der Form bei Richard Wagner, 4 vols (2nd edn, Tutzing, 1966),1, 107–8, the substance of Lorenz's remarks here and elsewhere is that the layout of a Reprisenbar will resemble a sonata form with repeated exposition if the Stollen have more than one theme If there is no exposition repeat (‘modern sonata form’, according to Lorenz), then sonata form resembles Bogenform (see, for example, iii, 186)Google Scholar
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27 Grange, La, Gustav Mahler, ii, 1120; this should be compared with La Grange, Mahler (London, 1973), 632, 941, for Mahler's plans for the symphony at an early stage, see Natalie Bauer-Lechner, Recollections of Gustav Mahler, trans Dika Newlin, ed Peter Franklin (London, 1980), 173Google Scholar