Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-17T03:27:34.624Z Has data issue: false hasContentIssue false

Memory in Medieval China: Text, Ritual and Community. Edited by Wendy Swartz and Robert Ford Campany. pp. viii, 270. Leiden: Brill, 2018.

Review products

Memory in Medieval China: Text, Ritual and Community. Edited by Wendy Swartz and Robert Ford Campany. pp. viii, 270. Leiden: Brill, 2018.

Published online by Cambridge University Press:  25 June 2021

Yue Zhang*
Affiliation:
University of [email protected]

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press on behalf of The Royal Asiatic Society

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Swartz, Wendy, Reading Philosophy, Writing Poetry: Intertextual Modes of Making Meaning in Early Medieval China (Cambridge, Mass, 2018)Google Scholar.

2 Puett, Michael J., “Ritual and Ritual Obligations: Perspectives on Normativity from Classical China”, Journal of Value Inquiry 49 (2015), pp. 543550CrossRefGoogle Scholar.

3 For the topic of trauma and memory in pre-modern Chinese literature, see Idema, Wilt L., Li, Wai-yee, and Widmer, Ellen, (eds.), Trauma and Transcendence in Early Qing Literature (Cambridge, Mass., 2006)CrossRefGoogle Scholar; Li, Wai-yee, Women and National Trauma in Late Imperial Chinese Literature (Cambridge, Mass., 2014)CrossRefGoogle Scholar.

4 Tian, Xiaofei, The Halberd at Red Cliff: Jian'an and the Three Kingdoms (Cambridge, Mass., 2018), pp. 1178CrossRefGoogle Scholar.

5 This chapter has a Chinese version. The Chinese and English versions are slightly different. See, Tian Xiaofei 田曉菲, “Yu Xin de ‘jiyi gongdian’: Zhonggu gongting shige zhong de chuangshang yu baoli” 庾信的“記憶宮殿”: 中古宮廷詩歌中的創傷與暴力, Shanghai daxue xuebao (Shehui kexue ban) 上海大學學報 (社會科學版), 4 (2017), pp. 52–64.

6 Ditter defines “objective” as “refer[ring] to the socially recognised communicative purposes of a genre” (p. 202).

7 Ditter defines “emplotment” as “the ways in which those pieces of information might be sequenced within a composition in constructing the memory of the deceased” (p. 204).