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‘Lifting the Veil from the Face of Depiction’: A Festschrift in Honour of Barbara Brend

Published online by Cambridge University Press:  12 September 2022

MEHREEN CHIDA-RAZVI ,
ALISON OHTA  and
EMILY SHOVELTON
MEHREEN CHIDA-RAZVI*
Affiliation:
Khalili Collections, London
ALISON OHTA*
Affiliation:
Royal Asiatic Society
EMILY SHOVELTON*
Affiliation:
SOAS University of London
*
[email protected]
[email protected]
[email protected]
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Extract

‘Master Ahmad Musa, who was his father's pupil, lifted the veil from the face of depiction, and the [style of] depiction that is now current was invented by him.’1 This oft-quoted phrase from Dust Muhammad's (fl. 1510–64) preface to the Bahram Mirza Album2 serves as the inspiration behind our title for this Festschrift in honour of Dr Barbara Brend, whose work has enhanced our understanding and appreciation of Persianate painting.

Type
Introduction
Information
Journal of the Royal Asiatic Society , Volume 32 , Special Issue 4: Studies in Honour of Barbara Brend , October 2022 , pp. 713 - 720
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Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of The Royal Asiatic Society

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References

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Co-edited

Baker, P. L. and Brend, B. (eds), Sifting Sands, Reading Signs: Studies in Honour of Professor Géza Féhervári (London, 2006).Google Scholar

Co-edited and written

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Reviews

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Forthcoming

‘Illumination and a problematic picture in a Dīvān of Hafiz-i Saʿd for Pir Budaq Qara Quyunlu’, for Festschrift for Dr Zeren Tanındı.Google Scholar
‘The Persian visual tradition’ for Alexander the Great: Legend of a Life, the provisional title of a book to accompany an exhibition at British Library in October 2022.Google Scholar
‘Illumination and a problematic picture in a Dīvān of Hafiz-i Saʿd for Pir Budaq Qara Quyunlu’, for Festschrift for Dr Zeren Tanındı.Google Scholar
‘The Persian visual tradition’ for Alexander the Great: Legend of a Life, the provisional title of a book to accompany an exhibition at British Library in October 2022.Google Scholar