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L'art du livre dans l'Inde des sultanats. By Éloïse Brac de la Perrière. pp. 367. Paris, Presses de l'Université Paris-Sorbonne, 2008.

Published online by Cambridge University Press:  30 November 2009

Preeti Khosla  and
Emily Shovelton
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Type
Book Review
Information
Journal of the Royal Asiatic Society , Volume 20 , Issue 1 , January 2010 , pp. 98 - 100
Copyright
Copyright © The Royal Asiatic Society 2009

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References

1 R. Skelton, “The Nimatnama: a Landmark in Malwa Painting”, Marg, no. 3, (1959) pp. 44–48; R. Ettinghausen “The Bustan Manuscript of Sultan Nasir-Shah Khalji”, Marg, no.3, (1959) pp. 40–43.

2 J. P. Losty, The Art of the Book in India, British Library Reference Division Publications (London, 1982).

3 Blair, S. S., Islamic Calligraphy (Edinburgh, 2007), p. 389Google Scholar.

4 Y. Porter, Painters, Paintings and Books, An Essay on Indo-Persian Technical Literature, 12th–19th Centuries (New Delhi, 1994).

5 Her point of note is the reference to the Visanta Vilāsa of 1451 A.D. (Washington D.C., Freer Gallery) as a secular text when it is in fact a devotional text dedicated to the love of the Hindu deities Krishna and Radha.