Bibliography of Indian Music

M. S. Ramaswami Aiyar

doi:10.1017/S0035869X00097288

Bibliography of Indian Music

Published online by Cambridge University Press: 15 March 2011

M. S. Ramaswami Aiyar

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The first attempt to treat of Indian music, at least incidentally if not systematically, was made by the Sikshas and the Prātisākyas, though both of them related to its vēdic phase. Of these two works, the latter displaced the former on account of a lucid and simple style, although Nārada Siksha still continues to remain indispensable, because no Prātisākya for Sāma Vēda is available.

Type: Articles
Information: Journal of the Royal Asiatic Society , Volume 73 , Issue 3 , July 1941 , pp. 233 - 246

DOI: https://doi.org/10.1017/S0035869X00097288 [Opens in a new window]
Copyright: Copyright © The Royal Asiatic Society 1941

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^{page 233 note 1} Cf. Muller's, MaxHistory of the Ancient Sanskrit Literature, p. 116Google Scholar. Compare also the following verse quoted by MrKielhorn, from the Indian Antiquary, vol. v, p. 142Google Scholar:

^{page 233 note 2} Cf. Muller's, MaxHistory of the Ancient Sanskrit Literature, p. 143Google Scholar.

^{page 233 note 3} Mentioned in Sangītanārāyana (Madras MSS. Library).

^{page 233 note 4} The full name is Chaturvimsad Satarāganirupanam. It is in print (2 Malabar Hill, Bombay); and its MSS. are available in the Tanjore Library.

^{page 233 note 5} Mentioned in Kōhala's Sangītamēru, quoted by Kallināth, in p. 680 of Sangītaratnākara (Poona edition)Google Scholar.

^{page 233 note 6} Cf. Gaekwad's Oriental Series, No. 16.

^{page 233 note 7} Cf. Sangītamakaranda (Gaekwad), Introduction, p. iv.

^{page 233 note 8} Cf. Sangītamakaranda (Gaekwad), p. 13.

^{page 234 note 1} Cf. Rāganirupana (Bombay edition), p. 1.

^{page 234 note 2} Cf. ibid., p. 1.

^{page 234 note 3} Cf. Stein's, Translation of , Kalhama'sRājathrangani, p. 83Google Scholar.

^{page 234 note 4} Cf. Dutt's, R. C.Ancient India, pp. 606–610Google Scholar.

^{page 234 note 5} Cf. Sangītamakaranda, p. 13.

^{page 234 note 6} Cf. Epigraphia Indica, vol. xii, pp. 226–237.

^{page 234 note 7} ‘Cf. ibid.

^{page 234 note 8} Cf. Kumārasambhavam, i, 45, and viii, 85; Vikramorvasiyam, iv; Sākuntalam, i and v.

^{page 234 note 9} Cf. Vikramōrvasiyam (, Kale's edition), Introduction, p. 24Google Scholar; also, Sastri's, K. S. RamaswamiKālidāsa, vol. i, p. 79Google Scholar.

^{page 235 note 1} Cf. Sangītamakaranda (Gaekwad), Introduction, p. x.

^{page 235 note 2} Cf. ibid., p. 13.

^{page 235 note 3} Cf. Sangītaratnākara (Poona edition), p. 82.

^{page 235 note 4} Cf. DrSankaran's, Theories of Rasa and Dhvani, p. 33Google Scholar; also De's, S. K.Sanskrit Poetics, vol. i, p. 89Google Scholar.

^{page 235 note 5} Cf. Banhati's, edition of , Udbhata'sKavyālankārasārasangraha, Introduction, p. xviiiGoogle Scholar.

^{page 235 note 6} Cf. Tripati's, edition of , Dāmōdaragupta'sKuttanimata, p. 337, v. 877Google Scholar.

^{page 235 note 7} Cf. Stein's, Translation of , Kalhana'sRājatarangani, vol. i, p. 166Google Scholar.

^{page 235 note 8} Jayāpida reigned from 779 to 813. Cf. Shattani's, Works, footnote 5, Introduction, p. xGoogle Scholar.

^{page 235 note 9} Either Kallināth's Matanga should be a different person from Dāmõdaragupta's or Kallināth's Rudvata should be a different person from the author of Kavyālankāra. I am disposed to differentiate the two Rudvatas but merge the two Matangas into one who lived about the seventh century

^{page 236 note 1} Nātya Sāstra represents nātya or the dramaturgic literature wherein music plays a subordinate part; while Sangītaratnākara represents gīta or the musical literature wherein dramaturgy plays a subordinate part.

^{page 236 note 2} Cf. Vīkramōrvasīyam (Kale's edition), Act ii, 18.

^{page 236 note 3} Cf. Matsya Purāna (Anandasrama Series) ch. 24, verse 28, p. 43.

^{page 237 note 1} Cf. V. R. R.'s Matsya Puräna, A study, pp. 71–2Google Scholar.

^{page 237 note 2} Nātya Sāstra (Gaekwad, ), vol. i, Preface, pp. 5–6Google Scholar.

^{page 239 note 1} Cf. Sangitaratnākara, p. 480.

^{page 240 note 1} Bharata's Group consists of Bharata's predecessors and successors; so also with Shārngadēr's Group.

^{page 240 note 2} Cf. Sangītaratnākara, p. 35.

^{page 240 note 3} Cf. Ragatarangini (Durbanga edition), p. 131.

^{page 240 note 4} Cf. Dattilam (TVM. edition), p. 12.

^{page 240 note 5} Cf. Nātya Sāstra (Benares), pp. 3, 474, 475.

^{page 240 note 6} Cf. Brihad Desi (TVM. edition), pp. 5, 12, 32, 39, 96.

^{page 240 note 7} Cf. Madras MSS. Library Catalogue, vol. xxii, Nos. 12989, 12992.

^{page 240 note 8} Cf. Burnell's, Tanjore Catalogue, p. 60Google Scholar.

^{page 240 note 9} Cf. Sangītaratnākara, p. 677.

^{page 240 note 10} Cf. ibid., p. 684.

^{page 240 note 11} Cf. Kuttanimata (Tripati edition), p. 19, verse 82; p. 336, verse 876.

^{page 240 note 12} Cf. Madras MSS. Library Catalogue, vol. xxii, No. 13014.

^{page 241 note 1} Cf. ibid. (Trien Cat., 1910–13), R. No. 354.

^{page 241 note 2} Cf. Burnell's, Tanjore Catalogue, p. 60Google Scholar.

^{page 241 note 3} Cf. Nātya Sāstra (Gaekwad), vol. i, p. 171.

^{page 241 note 4} Cf. Madras MSS. Library Catalogue, vol. xxii, No. 12980. Printed Calcutta Sanskrit Series, No. v (1934).

^{page 241 note 5} Cf. Rice's, Mysore and Coorg Catalogue, p. 292Google Scholar.

^{page 241 note 6} Cf. De's, S. K.Sanskrit Poetics, vol. i, p. 24Google Scholar.

^{page 241 note 7} Cf. Abhinayadarpana (Calcutta edition), p. lxii.

^{page 241 note 8} Cf. Sangītaratnākara, p. 5.

^{page 241 note 9} Cf. Burnell's, Tanjore Catalogue, p. 60Google Scholar.

^{page 241 note 10} Cf. Sangītamakaranda, p. 13.

^{page 241 note 11} Cf. Sangītaratnākara, p. 5.

^{page 241 note 12} Cf. Brihad Desi, pp. 87, 92, 94, 97, 99, 103, 104.

^{page 241 note 13} Cf. Sangītaratnākara, p. 182.

^{page 241 note 14} Cf. Brihad Desi, p. 94.

^{page 242 note 1} Cf. Sangītamakaranda, p. 13.

^{page 242 note 2} Cf. Sangītaratnākara, p. 6.

^{page 242 note 3} Cf. Bhāvaprakāsana (Gaekwad), pp. 114 and 251.

^{page 242 note 4} Cf. Sangītapārijāte (Poona), ch. i, 11.

^{page 242 note 5} Cf. Sangītadarpana (Bombay), pp. 75–6.

^{page 242 note 6} Cf. Ragaribodha (Mysore edition), ch. i, 35.

^{page 242 note 7} Cf. Sangītasudha.

^{page 242 note 8} Cf. Sangītaratnākara, p. 6.

^{page 242 note 9} Cf. ibid., p. 677.

^{page 242 note 10} Cf. Abhinavabhārati (Madras MSS. Library), vol. iv, p. 50.

^{page 242 note 11} Cf. Sangītaratnākara, p. 6.

^{page 243 note 1} Cf. Stein's, Translation of , Kalhana'sRājatarangani, vol. i, p. 165Google Scholar.

^{page 243 note 2} Cf. ibid., p. 160.

^{page 243 note 3} Cf. ibid., p. 166.

^{page 243 note 4} Cf. Nātya Sāstra (Gaekwad), vol. i, pp. 265–6.

^{page 243 note 5} Cf. ibid., p. 275; DrSankaran's, Theory of Rasa and Dhvani, pp. 99–100Google Scholar.

^{page 244 note 1} Cf. Kuttanimata, p. 337, verse 877.

^{page 244 note 2} Cf. “Bhasha” means a species of Rāga.

^{page 244 note 3} Cf. Brihad Dēsi, pp. 104–133. From .

^{page 244 note 4} Cf. ibid., pp. 133–140.

^{page 244 note 5} Cf. ibid., p. 81.

^{page 244 note 6} Cf. ibid., p. 154.

^{page 244 note 7} Cf. Sangitamakaranda (Gaekwad), pp. 18–20.

^{page 244 note 8} Cf. ibid., pp. 3–5.

^{page 245 note 1} Cf. Sangitaratnākara, pp. 44–5.

^{page 245 note 2} Cf. Sangitamakaranda, p. 2.

^{page 245 note 3} Cf. ibid., p. 8.

^{page 245 note 4} Cf. ibid., pp. 5–6.

^{page 245 note 5} Cf. Madras MSS. Library Trien Cat., 1916–19, No. 2498.

^{page 245 note 6} Cf. Trivandrum Palace Library, No. 1417.

^{page 245 note 7} Cf. extracts from Sangitanarayana (Madras MSS. Library).

^{page 245 note 8} Cf. Buhler's, Guvasat Catalogue, p. 274Google Scholar.

^{page 245 note 9} Cf. TVM. Publication No. 87.

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