Published online by Cambridge University Press: 14 April 2016
Funny military music videos are popular videos featuring soldiers dancing to chart hits, usually parodying other Internet music video memes. This article is interested in the conditions of seeing these videos, of their being seen, in specific relation to their military-ness and their American-ness – US soldiers, on a US military base in occupied territory, dancing to US pop music, circulating on US social media sites, watched by a US public. This article claims that as insistent expressions of a popular, militarized, everyday culture, funny military music videos are exemplary assemblages of the visual conditions of the American military imaginary.
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8 Ibid., 10.
9 Comment by user Ghaith Malkawi on video “Dance Party in Iraq.”
10 Comment by user Ali Murry on video “US Soldiers in Iraq – The Ding Dong Song.”
11 Comment by user linor anastasya on video “US Soldiers in Iraq – The Ding Dong Song.”
12 Butler, 9.
13 Ibid.
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18 Ibid.
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26 Several YouTube users have combined the cheerleaders' and military videos side by side; emphasizing the faithfulness and strangeness of the reenactment. See YouTube Mulitplier, “Call Me Maybe - Miami Dolphins Cheerleaders vs US Military” (2013), at www.youtube.com/watch?v=O7zdr-82WAo, accessed 14 Oct. 2015.
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28 Ibid.
29 Vernallis, 187. “Telephone” was released in 2009 as a Lady Gaga track featuring Beyoncé, and “Video Phone” (mentioned below) the same year as a Beyoncé track featuring Lady Gaga.
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46 Hilderbrand.
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49 Ibid.
50 Ibid.
51 Comment by user Ibrahim Jibraeel on video “ke$ha Blah BLah remake in IRAQ!! CODEY WILSON PRODUCTION.”
52 Comment by user nellz442 on video “ke$ha Blah BLah remake in IRAQ!! CODEY WILSON PRODUCTION.”
53 Comment by user TrampStamp109 on video “ke$ha Blah BLah remake in IRAQ!! CODEY WILSON PRODUCTION.”
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56 Andén-Papadopoulos, “US Soldiers Imaging the Iraq War.”
57 Robin James, Resiliance & Melancholy: Pop Music, Feminism, Neoliberalism (Winchester: Zero books, 2015).