Cyprus, an island nation situated in the Eastern Mediterranean Sea, counts among the states that elected not to adopt the 2001 UNESCO Convention on the Protection of Underwater Cultural Heritage (henceforth: the 2001 UNESCO Convention), although recognizing its merits. With a coastline of 648 km, Cyprus’ seafloor holds an abundance of underwater cultural heritage. Despite that wealth, one searches in vain for a comprehensive study on the legal protection of its underwater cultural heritage. Instead, sporadic references to some of its provisions can be traced throughout the scholarly research surrounding the legal protection of underwater cultural heritage1 and maritime archaeology.2 Against this background, this article stands as the first thorough effort to reflect on Cyprus’ legal protection of its underwater cultural heritage.

The UNESCO Convention for the Safeguarding of Intangible Cultural Heritage is designed to secure the protection of intangible cultural heritage (ICH) worldwide.1 The Convention aims to safeguard and ensure respect for ICH of communities, groups, and persons and promote awareness of their significance and international protection in that regard.2 The Convention outlines intangible cultural heritage (ICH) in terms of oral traditions and expressions, including, but not limited to, epics, tales, and stories, and performing arts categories such as music, song, dance, puppetry, and theatre. Other forms of ICH under the Convention include social practices, rituals, and festive events. In its inherently nuanced nature, ICH also includes knowledge and practices relating to nature and the universe. In these categories are folk medicines, folk astronomy, and various natural phenomena. ICH’s wide and nuanced ambit encompasses traditional craftsmanship as well as the sites and spaces in which culturally significant activities and events occur.3 ICH forms part of the daily life and lived realities of people in virtually all parts of the world. It is the beliefs and perspectives, ephemeral performances, and events that are not tangible objects of culture, such as monuments or paintings. ICH is often described as the underlying “spirit” of a cultural group,4 which cannot be detailed in all subtleties.