Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-23T04:07:22.822Z Has data issue: false hasContentIssue false

Autonomy, Universality, and Playing the Guitar: On the Politics and Aesthetics of Contemporary Feminist Deployments of the “Master's Tools”

Published online by Cambridge University Press:  25 March 2020

Abstract

Some feminists have argued that the “master's tools” cannot be utilized for feminist projects. When read through the lens of non-ideal theory, Judith Butler's reevaluation of “autonomy” and “universality” and Peaches's engagement with guitar rock are instances in which implements of patriarchy are productively repurposed for feminist ends. These examples evince two criteria whereby one can judge the success of such an attempt: first, accessibility and efficacy; second, that the use is deconstructive of its own conditions.

Type
Original Articles
Copyright
Copyright © 2009 by Robin M. James

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Allen, Amy. 2006. Dependency, subordination, and recognition: On Judith Butler's theory of subjection. Continental Philosophy Review 38:199222.CrossRefGoogle Scholar
Battersby, Christine. 1989. Gender and genius: Towards a feminist aesthetic. Bloomington: Indiana University Press.Google Scholar
Benhabib, Seyla, Butler, Judith, Cornell, Drucilla, and Frazier, Nancy, eds. 1995. Feminist contentions: A philosophical exchange. New York: Routledge.Google Scholar
Butler, Judith. 2004. Undoing gender. New York: Routledge.CrossRefGoogle Scholar
Chicks on Speed. 2003. 99 Cents. London: EMIGoogle Scholar
Coates, Norma. 1997. (R)Evolution now?: Rock and the political potential of gender. In Sexing the groove: Popular music and gender, ed. Whiteley, Shelia. London: Routledge, pp. 5064.Google Scholar
Crenshaw, Kimberlé Williams. 1995. Mapping the margins: Intersectionality, identity politics, and the violence against women of color. In Critical race theory: The key writings that formed the movement, eds. Crenshaw, Kimberlé Williams, Gotanda, Neil, Peller, Gary, and Thomas, Kendall. New York: The New Press.Google Scholar
Deleuze, Gilles, and Guattari, Felix. 1983. Anti‐Oedipus: Capitalism and schizophrenia. Trans. Robert Hurley, Mark Seem, and Helen R. Lane. Minneapolis: University of Minnesota Press.Google Scholar
Den Tandt, Christophe. 2004. From craft to corporate interfacing: Rock musicianship in the age of music television and computer‐programmed music. Popular Music and Society 27 (2): 139160.CrossRefGoogle Scholar
Dyer, Richard. 1997. White. London: Routledge.Google Scholar
Frith, Simon, and McRobbie, Angela. 1990. Rock and sexuality. In On record: Rock, pop, and the written word, eds. Frith, Simon and Goodwin, Andrew. London: Routledge.Google Scholar
Gilroy, Paul. 1993. The black Atlantic: Modernity and double consciousness. Cambridge, Mass.: Harvard University Press.Google Scholar
Goodwin, Andrew. 1990. Sample and hold: Pop music in the digital age of reproduction. In On record: Rock, pop, and the written word, eds. Frith, Simon and Goodwin, Andrew. London: Routledge.Google Scholar
hooks, bell. 1992. Black looks: Race and representation. Boston: South End Press.Google Scholar
Hooks, bell. 1994. Power to the pussy: We don't want to be dicks in drag. In Outlaw culture: Resisting representations. New York: Routledge, pp. 926.Google Scholar
Immediato, Linda. 2006. Juicy fruit. Bust 37 (February/March): 48–55.Google Scholar
Le Tigre 2004. This island. New York: UMVD Labels.Google Scholar
Lorde, Audre. 1983. The master's tools will never dismantle the master's house. In This bridge called my back: Writings by radical women of color, eds. Moraga, Cherrie and Anzaldúa, Gloria. New York: Kitchen Table Press.Google Scholar
McClary, Susan. 1991. Feminine endings: Music, gender, and sexuality. Minneapolis: University of Minnesota Press.Google Scholar
Mills, Catherine. 2000. Efficacy and vulnerability: Judith Butler on reiteration and resistance. Australian Feminist Studies 159 (32): 256279.Google Scholar
Mills, Charles. 2004. ‘Ideal Theory’ as Ideology. In Moral psychology: Feminist ethics and social theory, eds. DesAutels, Peggy and Urban Walker, Margrat. Lanham, MD: Rowman and Littlefield.Google Scholar
Mulvey, Laura. 1975. Visual pleasure and narrative cinema. Screen 16 (3): 618.CrossRefGoogle Scholar
Narayan, Uma. 2000. Essence of culture and a sense of history: A feminist critique of cultural essentialism. In Decentering the center: Philosophy for a multicultural, postcolonial, and feminist world, eds. Narayan, Uma and Harding, Sandra. Bloomington: Indiana University Press.Google Scholar
Palta, Rina. 2006. Impeach (My) Bush! http://www.motherjones.com/arts/qa/2006/07/peaches.html (accessed December 10, 2008).Google Scholar
Peaches. 2000. Teaches of peaches. Berlin: Kitty‐yo International.Google Scholar
Peaches. 2003. Fatherfucker. Berlin: Kitty‐yo/XL Recordings.Google Scholar
Peaches. 2006. Impeach my bush. New York: XL Recordings.Google Scholar
Samson, J.D. 2006. JD's lesbian utopia 2006. http://oogaboogastore.com/shop/misc/detail/JDCal2006.html (accessed December 10, 2008).Google Scholar
Schwartzman, Lisa H. 2002. Hate speech, illocution, and social context: A critique of Judith Butler. Journal of Social Philosophy 33 (3): 421441.CrossRefGoogle Scholar
Winnubst, Shannon. 2006. Queering freedom. Bloomington: Indiana University Press.Google Scholar