Neolithic bodies are not only manifestations of subjective principles. Social and symbolic norms are also incorporated within the bodies of both actual and represented individuals. These norms often relate to economic and religious notions of society, as well as to effigies. Owing to high population densities in Neolithic villages, only a select group of the inhabitants were buried within settlements or represented in images. This generated a category of privileged individuals and body features, which were related to symbolic principles rather than social hierarchy. Such practices among Neolithic societies in the Balkans are evident within burials and human representations. Individuals buried inside settlements, anthropomorphic house models, and figurines from several sites in Ovče Pole, Pelagonia, and the Skopje Valley are used as case studies in this paper. Placing these sites into a wider geographical context, it is argued that gender, age and body parts were significant criteria in funerary practices and features of corporeality.

In this paper, osteological and archaeological data are brought together to further our understanding of childhood in the early Neolithic Linearbandkeramik culture (LBK; c. 5500–5000 cal BC). In many characterizations of LBK society, fixed representations of sex or identities based on subsistence strategies pervade, with children rarely considered and then only as a specialized and separate topic of study. As a challenge to this view, a summary of the current models of childhood in the LBK culture is presented and debated with reference to the burial rites of children. A period of ‘middle’ childhood is proposed for the LBK culture. The osteological evidence suggests that childhood could be a time of dietary stress, perhaps with sex-based differences from childhood, and examples of the diseases and traumas suffered are discussed. Finally, the possibility that the children were actively contributing to acts of personal violence is raised. While the recognition of identity making as a continuous process remains a powerful exploratory route to investigating prehistoric societies, we argue that this should not discourage us from seeing identity as formed over the entire lifecourse.

This paper focuses on how the human body, and the dead body in particular, was used to create social categories and identities in prehistoric Cyprus. Specifically, it explores how a particular condition, such as death, was integrated into social processes, and how the treatment of dead bodies both created and reinforced social categories and identities. The material the paper focuses on is the mortuary evidence from Chalcolithic Cyprus (3800–2300 BC). In particular, it argues that the extensive, intentional manipulation of dead bodies and human remains visible in Cypriot Chalcolithic cemeteries was aimed at integrating the individual to communal, collective wholes on the occasion of death and during the time period that followed.

The role of the human body in the creation of social knowledge—as an ontological and/or aesthetic category—has been applied across social theory. In all these approaches, the body is viewed as a locus for experience and knowledge. If the body is a source of subjective knowledge, then it can also become an important means of creating ontological categories of self and society. The materiality of human representations within art traditions, then, can be interpreted as providing a means for contextualizing and aestheticizing the body in order to produce a symbolic and structural knowledge category. This paper explores the effect of material choices and techniques of production when representing the human body on how societies order and categorize the world.

Much research has been carried out on identifying gendered iconography on statue-menhirs. This paper seeks to develop this perspective by considering the broader body concepts. Body concepts are of interest to archaeologists because they are closely connected to issues of sex, gender, and age. By investigating stone sculptures, however, we are looking at an ideological view of the body that was produced by reducing the stone from its natural form into a statue-menhir. The presence of bodily features on the statue-menhirs suggests that it was important to construct a body, and that certain aspects of the body were chosen to be represented, either through the size and shape of the stone or iconography, while others were neglected. We propose this is a significant means by which stones were made into bodies and gendered beings. To investigate body concepts, we pose two questions: how was a statue-menhir body made, and how was it gendered? By following the reduction sequence of the stone as the technique of production, we investigate which bodily features were important in constructing a body and in gendering it. We do this through analysing and comparing three regional examples of anthropomorphic statue-menhirs: (1) The Lunigiana groups A and B in northwestern Tuscany and eastern-most Liguria, (2) the Atesino group in Trentino-Alto Adige, and (3) the Sion Type A in the Swiss Valais and the Aosta Style I in northern Italy. Although there is a shared statue-menhir tradition in the three regions and beyond, the observations in this paper suggest that the bodily gender categories were negotiated regionally.

This paper focusses on a set of anthropomorphic figurines. It suggests that realistic human proportion and canonical body posture were pursued in the carving of these objects as a means of expressing ideology, in a context of diversified forms of manipulation of bodies in funerary practices. It is argued that, against a background of predominantly schematic art, the more realistic and canonical anthropomorphic representation of the human body was used to communicate a set of ideological statements in a more controlled and immediate way, in a period of ontological and cosmological transition.

The aim of this paper is to investigate body-related beliefs and practices in relation to society in Middle Bronze Age Transylvania (central Romania between c. 1900 and 1450 BC), known as the area of the Wietenberg Culture. The low number of human remains and their treatment (through cremation and fragmentation of inhumed bodies) has been interpreted by some authors as a willingness to do away with the physical body. In contrast to this opinion, I try here to show that quite the opposite was the case. The body not only stood at the centre of a variety of rituals (funerary and otherwise), but it also constituted a powerful means for maintaining social order, providing people with an understanding of their place in the world, as well as renegotiating positions and meanings.

This paper assesses the applicability of modern notions of gender identity and individuality, and examines ‘relationality’ as a key dimension structuring social identity during the Bronze Age and the beginning of the Early Iron Age in western Iberia through a focus on funerary practices and stelae- and statue-menhir-making. It is argued that these practices were involved in the recollection of genealogical and mythical pasts. They entailed the creation of the dead and the ancestors as relational entities through the explicit inscription of graphic and spatial relations. Ultimately, these practices were structured by, and structured, shared understandings of the self and the roles of the deceased and the ancestors in social life—understandings in which ‘relationality’ played a seminal role.