Review: Edition
Latin Pastorellas Joseph Anton Sehling (1710–1756), ed. Milada Jonášová Prague: Academus, 2017 pp. xli + 49, ISBN 978 8 088 08117 3
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- 25 August 2023, pp. 207-210
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Tonadillas. Volumen 1: Obras del periodo 1768–1778 Jacinto Valledor (1744–1809), ed. Aurèlia Pessarrodona Madrid: Consejo Superior de Investigaciones Científicas, 2019 pp. 412, ISBN 978 8 400 10498 6
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- 08 February 2023, pp. 97-98
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Review: Recording
Sonatas a Violino Solo e Basso Gaetano Brunetti (1744–1798) Carlos Gallifa (violin) / Galatea Ensemble Lindoro NL3055, 2022; one disc, 55 minutes
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- 25 August 2023, pp. 211-213
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Archivo de Guatemala: Music from the Guatemala City Cathedral Archive El Mundo / Richard Savino (director) Naxos 8.574295, 2021; one disc, 74 minutes
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- 08 February 2023, pp. 99-102
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Attilio Ariosti (1666–1729) La Profezia d'Eliseo nell'assedio di Samaria Marie-Sophie Pollak, Marta Redaelli, Alessio Tosi, Mauro Borgioni, Matteo Pigato (soloists) / Ensemble Lorenzo da Ponte / Roberto Zarpellon (conductor) Fra Bernardo 2104397, 2020; two discs, 104 minutes
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- 08 February 2023, pp. 103-105
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Communication: Report
Texting Scarlatti
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- 25 August 2023, pp. 215-217
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The Tartini Moment
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- 25 August 2023, pp. 219-221
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Review: Recording
The Hibernian Muse: Music for Ireland by Purcell and Cousser Johann Sigismund Cousser (1660–1727), Henry Purcell (1659–1695) Irish Baroque Orchestra / Peter Whelan (conductor) Linn CKD 685, 2022; one disc, 70 minutes
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- 08 February 2023, pp. 106-109
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Communication: Report
Dubourg, Geminiani and the Violin Concerto in D Major: A Misattribution
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- 25 August 2023, pp. 223-225
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Communication: Conference Report
Musicking: Culturally Informed Performance Practices University of Oregon School of Music and Dance, 19–24 April 2022
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- 08 February 2023, pp. 110-112
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Musique et société dans les Caraïbes françaises, 1750–1810 Centre d’études supérieures de la Renaissance, Tours, 5–7 May 2022
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- 08 February 2023, pp. 113-115
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Communication: Report
Modern Premiere of Franz Weiss's ‘Razumovsky’ Quartets
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- 25 August 2023, pp. 227-228
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Communication: Conference Report
Walsh in Europe and Beyond: Dissemination and Reception of English Music Prints in the 18th Century: Alfried Krupp Wissenschaftskolleg Greifswald and Universität Greifswald, 25–27 October 2022
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- 25 August 2023, pp. 229-233
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Women, Opera and the Public Stage in Eighteenth-Century Venice Fondazione Levi, Venice, 23–24 May 2022
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- 08 February 2023, pp. 116-119
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Mozart and Salzburg: Mozart Society of America and Society for Eighteenth-Century Music Joint Conference Salzburg, 26–29 May 2022
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- 08 February 2023, pp. 120-121
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Haydn Society of North America Mini-Conference: New Orleans, 10 November 2022
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- 25 August 2023, pp. 235-237
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Cosmic Harmonies: A Symposium Celebrating the Life, Science, Music, and Legacy of William Herschel (1738–1822) University of York, 19 June 2022
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- 08 February 2023, pp. 122-124
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Classics Off-Centre: Performing and Listening to the Music of Haydn, Mozart and Beethoven during the Long Nineteenth Century: Biblioteca Histórica Marqués de Valdecilla, Madrid, 23–25 November 2022
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- 25 August 2023, pp. 239-241
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Front Cover (OFC, IFC) and matter
ECM volume 20 issue 1 Cover and Front matter
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- 08 February 2023, pp. f1-f4
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Communication: Conference Report
Chamber Scenes: Musical Space, Medium, and Genre c. 1800: San José State University, 16–18 February 2023
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- 25 August 2023, pp. 243-245
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