Reviews: Books
RICHARD WILL THE CHARACTERISTIC SYMPHONY IN THE AGE OF HAYDN AND BEETHOVEN Cambridge: Cambridge University Press, 2002 pp. xii + 329, ISBN 0 521 80201 6
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- 28 June 2004, pp. 96-98
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SIMON P. KEEFE, ED. THE CAMBRIDGE COMPANION TO MOZART Cambridge: Cambridge University Press, 2003 pp. xviii + 294, ISBN 0 521 00192 7
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- 07 January 2005, pp. 307-311
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IAN WOODFIELD OPERA AND DRAMA IN EIGHTEENTH-CENTURY LONDON: THE KING’S THEATRE, GARRICK AND THE BUSINESS OF PERFORMANCE Cambridge: Cambridge University Press, 2001 pp. xiv + 339, ISBN 0 521 80012 9
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- 28 June 2004, pp. 98-100
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MARA PARKER THE STRING QUARTET, 1750–1797: FOUR TYPES OF MUSICAL CONVERSATION Aldershot: Ashgate, 2002 pp. xiii + 315, ISBN 1 84014 682 6
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- 07 January 2005, pp. 311-313
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DAVID YEARSLEY BACH AND THE MEANINGS OF COUNTERPOINT Cambridge: Cambridge University Press, 2002 pp. xvi + 257, ISBN 0 521 80346 2
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- 28 June 2004, pp. 100-104
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DEBORAH ROHR THE CAREERS OF BRITISH MUSICIANS, 1750–1850: A PROFESSION OF ARTISANS Cambridge: Cambridge University Press, 2001 pp. xii + 233, ISBN 0 521 58095 1
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- 07 January 2005, pp. 313-315
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DOWNING A. THOMAS AESTHETICS OF OPERA IN THE ANCIEN RÉGIME: 1647–1785 Cambridge: Cambridge University Press, 2002 pp. viii + 411, ISBN 0 521 80188 5
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- 07 January 2005, pp. 316-318
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PIERRE GAVINIÉS, SONATAS FOR VIOLIN AND BASSO CONTINUO, OP. 3 ED. ANTHONY F. GINTER Recent Researches in the Music of the Classical Era 64 Middleton, WI: A-R Editions, 2002 pp. xii + 59, ISBN 0 89579 501 9
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- 28 June 2004, pp. 105-107
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JOHN MARSH, SYMPHONIES (PARTS 1 AND 2) ED. IAN GRAHAM-JONES Recent Researches in the Music of the Classical Era 62, 63 Middleton, WI A-R Editions, 2001 pp. xvii + 255, xiv + 213; ISBN 0 89579 486 1, 0 89579 486 X
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- 28 June 2004, pp. 107-109
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PETER WILLIAMS BACH: THE GOLDBERG VARIATIONS Cambridge: Cambridge University Press, 2001 pp. vi + 112, ISBN 0 521 00193 5
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- 07 January 2005, pp. 318-319
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Reviews: Recordings
ALTBACHISCHES ARCHIV: WORKS BY JOHANN BACH (1604–1673), JOHANN CHRISTOPH BACH (1642–1703), GEORG CHRISTOPH BACH (1642–1697), JOHANN MICHAEL BACH (1648–1694), JOHANN SEBASTIAN BACH (1685–1750) Cantus Cölln / Concerto Paladino / Konrad Junghänel Harmonia Mundi HMC901783/84, 2003; two discs, 2'33"
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- 28 June 2004, pp. 109-111
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GIROLAMO ABOS, STABAT MATER ED. JOSEPH VELLA BONDIN Recent Researches in the Music of the Classical Era 68 Middleton, WI: A-R Editions, 2003 pp. xxiv + 75, ISBN 0 89579 531 0
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- 07 January 2005, pp. 320-321
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ARTARIA 195: BEETHOVEN’S SKETCHBOOK FOR THE MISSA SOLEMNIS AND THE PIANO SONATA IN E MAJOR, OPUS 109 TRANSCRIBED, EDITED AND WITH A COMMENTARY BY WILLIAM KINDERMAN Champaign: University of Illinois Press, 2002 3 volumes, pp. 384, ISBN 0 252 02749 3
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- 07 January 2005, pp. 321-324
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ANDRÉ-ERNEST-MODESTE GRÉTRY (1741–1813) RICHARD CŒUR DE LION AND DENYS LE TYRAN Peter Edelmann (Blondel), Hubert Zingele (Richard), Marinella Pennicchi (Laurette), Flavia Bernardi (Antonio), Barbara Pichler (Marguerite), Mattia Nicolini (Williams), Bruno de Simone (Denys), Claudio di Segni (Timoleon), Romano Franceschetto (Chrysostome), Stefania Donzelli (La femme de Chrysostome) / Coro Lirico Gréty di Bolzano / Orchestra dei Giovanni del Conservatorio ‘Claudio Monteverdi’ di Bolzano / Fabio Neri; Coro Ars Pulcherrima Artium / Orchestra Internazionale d'Italia / Francesco Vizioli Nuova Era 7327/28, 1999; two discs, 2'03"
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- 28 June 2004, pp. 111-113
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LUDWIG VAN BEETHOVEN, STRING QUARTET IN C SHARP MINOR, OP. 131 ED. EMIL PLATEN Munich: Henle, 2002 ISMN M 2018 0742 3 LUDWIG VAN BEETHOVEN, STRING QUARTET IN A MINOR, OP. 132 ED. EMIL PLATEN Munich: Henle, 2002 ISMN M 2018 0743 0
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- 07 January 2005, pp. 324-326
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WILLIAM HERSCHEL (1738–1822) SYMPHONIES NOS 2 IN D MAJOR, 8 IN C MINOR, 12 IN D MAJOR, 13 IN D MAJOR, 14 IN D MAJOR, 17 IN C MAJOR London Mozart Players / Matthias Bamert Chandos CHAN 10048, 2003, one disc, 1'08"
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- 28 June 2004, pp. 113-115
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CHRISTOPHE MOYREAU PIÈCES DE CLAVECIN 1753 (EXTRACTS FROM BOOKS 1–6) Douglas Hollick (Harpsichord/Organ) Riverrun RVRCD 60, 2002; one disc, 1'12"
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- 28 June 2004, pp. 115-116
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ANTONIO SALIERI, MASS IN D MINOR ED. JANE SCHATKIN HETTRICK Recent Researches in the Music of the Classical Era 65 Middleton, WI: A-R Editions, 2002 pp. xxii + 162, ISBN 0 89579 1
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- 07 January 2005, pp. 326-328
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DIVAS OF MOZART'S DAY: OPERATIC ARIAS BY DOMENICO CIMAROSA (1749–1801), VICENTE MARTÍN Y SOLER (1754–1806), WOLFGANG AMADEUS MOZART (1756–1791), VINCENZO RIGHINI (1756–1812), ANTONIO SALIERI (1750–1825), STEPHEN STORACE (1762–1796) Patrice Michaels (soprano), Peter van de Graaff (bass-baritone) / Classical Arts Orchestra / Stephen Alltop (conductor and fortepiano) Cedrille CDR 90000 064, 2002; one disc, 1'16"
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- 28 June 2004, pp. 116-118
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MICHEL-RICHARD DE LALANDE (1657–1726) MUSIC FOR THE SUN KING Te Deum laudamus (S32); ‘Panis angelicus’, from Sacris solemniis (S74); La grande pièce royale (S161); Venite, exultemus (S58) Carolyn Sampson (dessus 1), Natalie Clifton-Griffith (dessus 2), James Gilchrist (haute-contre), Paul Agnew (taille), Jonathan Gunthorpe (basse-taille 1), James Mustard (basse-taille 2) / Ex Cathedra Chamber Choir / Ex Cathedra Baroque Orchestra / Jeffrey Skidmore Hyperion CDA67325, 2002; one disc, 1′11′′
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- 07 January 2005, pp. 328-331
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