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Europe, Inventor of Languages in Renaissance Times

Published online by Cambridge University Press:  02 April 2024

Edmond Radar

Extract

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There are, it is said nowadays, “Renaissances,” in order to emphasize the diversity of expressions in this period of civilization and because of the concern for restoring the originality of the historical situations experienced at that time by the peoples of Europe. It is true that from the fourteenth to the fifteenth centuries, the Renaissance touched many areas in order to provide a response to challenges of the times. But even though these responses were varied, the world view was the same.

Type
Research Article
Information
Diogenes , Volume 37 , Issue 145 , March 1989 , pp. 112 - 136
Copyright
Copyright © 1989 Fédération Internationale des Sociétés de Philosophie / International Federation of Philosophical Societies (FISP)

References

1 Paul Valery, Les Cahiers, "La Pléiade," Gallimard, 1974, 2 volumes, T. II, p. 1092.

2 Roman Jakobson, Questions de linguistique, Seuil, Paris, 1973, p. 301.

3 Nadie Bridgman, "La frottola et le madrigal en Italie" in Histoire de la musique, under the direction of Roland Manuel, Encyclopédie de la Pléiade, Paris, Gallimard, 1960, 2 tomes, t. I, p. 1090.

4 Jean-Jacques Rousseau, "Essai sur l'origine des langues," in Oeuvres complètes, Paris, Fume, 1835, t. 3 chap. IX.

5 Joseph Samson, "La messe et le motet in Italie," in Histoire de la Musique, op. cit., t. I, pp. 1167-1191.

6 R. Jakobson, op. cit., pp. 299-318.

7 Giorgio Vasari, "Brunelleschi", trans. under the direction of André Chastel, in La vie des meilleurs peintres, sculpteurs et architectes, collection "Arts," Paris, Berger-Levrault, 1983, 12 tomes, t. III.

8 Hubert Damisch, L'origine de la perspective, collection "Idées et recherches," Paris, Flammarion, 1987, pp. 65-154.

9 Bernard Berenson, "Florence," in Les peintres italiens de la Renaissance, trans. by Louis Gillet, Paris, NRF, 1953, pp. 39-79.

10 Hubert Damisch, op cit., p. 16.

11 Leonardo da Vinci, Traité de la peinture, translated and revised by A. Chastel, Club des libraires de France, 1960, p. 36.

12 Idem, op. cit., p. 37.

13 Sigmund Freud, Un souvenir d'enfance de Léonard de Vinci, Paris, N.R.F., 1987; see also Serge Bramly, Léonard de Vinci, Paris, 1988, p. 141.

14 Jean Delumeau, La civilisation de la Renaissance, Coll. "Les grandes civilisations," Paris, Artaud, 1984, p. 160.

15 Erwin Panofsky, La vie et l'art d'Albrecht Durer, Paris, Hazan, Coll. 35/37, 1987, pp. 372-374.

16 Emile Benveniste, "La nature des pronoms," in Problèmes de linguistique générale, coll. "TEL," NRF, Paris 1976.

17 E. Panofsky, La perspective comme forme symbolique, coll. "Le sens commun," Ed. de minuit, Paris, 1975. See also, L'oeuvre d'art et ses significations. "Bibl. des Sciences humaines," Paris, NRF, 1969, p. 111.

18 L. da Vinci, op. cit., p. 38.

19 Edmond Husserl, L'origine de la géométrie, translation and introduction, by J. Derrida, coll. "Epiméthée," Paris, P.U.F., 1974.

20 Francois Lhermitte, "La pensée sans langage," in Diogenes, No. 117, Paris 1982.

21 J. Delumeau, op. cit., p. 166.