Hostname: page-component-cd9895bd7-lnqnp Total loading time: 0 Render date: 2024-12-25T08:10:21.205Z Has data issue: false hasContentIssue false
  • English
  • Français

Martha Graham in Love and War: The Life in the Work by Mark Franko. 2012. Oxford and New York: Oxford University Press. 240 pp., 31 illustrations, notes, bibliography, index. $29.95 cloth.

Published online by Cambridge University Press:  25 March 2014

Rebekah Kowal
Rebekah Kowal*
Affiliation:
University of Iowa
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Dance Research Journal , Volume 45 , Issue 3 , December 2013 , pp. 144 - 150
Copyright
Copyright © Congress on Research in Dance 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Burt, Ramsay. 1998. “Dance, Gender and Psychoanalysis: Martha Graham's Night Journey.” Dance Research Journal 30(1): 34–53.Google Scholar
Foulkes, Julia. 2002. Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey. Chapel Hill, NC: University of North Carolina Press.Google Scholar
Franko, Mark. 1989. “Repeatability, Reconstruction and Beyond.” Theatre Journal 41(1): 56–74.CrossRefGoogle Scholar
Franko, Mark. 1995. Dancing Modernism/Performing Politics. Bloomington, IN: Indiana University Press.Google Scholar
Graff, Ellen. 1997. Stepping Left: Dance and Politics in New York City, 1928–1942. Durham, NC: Duke University Press.Google Scholar
Kowal, Rebekah. 2010. How to Do Things with Dance: Performing Change in Postwar America. Middletown, CT: Wesleyan University Press.Google Scholar
Lee, Felicia R. 2004. “Graham Legacy, on the Stage Again,” The New York Times (29 September) (accessed July 10, 2013) http://www.nytimes.com/2004/09/29/arts/dance/29grah.html?_r=0.Google Scholar
Lepecki, André. 2010. “The Body as Archive: Will to Re-Enact and the Afterlives of Dances.” Dance Research Journal 42(2): 28–48.Google Scholar
Manning, Susan. 2004. Modern Dance/Negro Dance: Race in Motion. Minneapolis, MN: University of Minnesota Press.Google Scholar
Manning, Susan. 1996. “American Document and American Minstrelsy.” In Moving Words, Re-Writing Dance, edited by Morris, Gay, 183–202. London: Routledge.Google Scholar
Morris, Gay. 2001. “Bourdieu, the Body, and Graham's Post-War Dance.” Dance Research 19(2): 52–82.Google Scholar
Morris, Gay. 2006. A Game for Dancers: Performing Modernism in the Postwar Years, 1945–1960. Middletown, CT: Wesleyan University Press.Google Scholar
Schwartz, Selby Wynn. 2010. “Martha@Martha: A Séance with Richard Move.” Women & Performance: A Journal of Feminist Theory 20(1): 61–87.CrossRefGoogle Scholar
Shea-Murphy, Jacqueline. 2007. The People Have Never Stopped Dancing: Native American Modern Dance Histories. Minneapolis, MN: University of Minnesota Press.Google Scholar