Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-25T07:46:25.006Z Has data issue: false hasContentIssue false
  • English
  • Français

Flamenco and Spanish Dance

Published online by Cambridge University Press:  22 July 2014

Katherine Thomas
Get access Rights & Permissions [Opens in a new window]

Extract

There is so much information available on flamenco in music books and magazines, on video and DVD inserts and film covers, compact disc jackets, and especially the Internet that it is difficult to determine what materials are worthwhile and reliable. In the world of flamenco, artists' and aficionados' opinions are inclined to be subjective. Given flamenco's exoticized nature juxtaposed with its current drive toward modernity, one wonders where the truth lies.

The biggest problem has been that Spanish and flamenco dance scholarship often contains questionable opinions and observations, as is the case in the book Flamenco, edited by Claus Schreiner, with contributions on Baile Flamenco by Schreiner and Marion Papenbrok (Schreiner 1990). There is some good material here on flamenco dancing, but it is tainted by a lack of understanding of flamenco dance history, for example, when Schreiner ponders “what is to be made of Carlos Saura's [films] Carmen [Piedra 1984/1986] or Blood Wedding? No matter how well Antonio Gades and his troupe dance in these films…they have little to do with true flamenco” (Schreiner 1990, 31).

Type
Dance Research Worldwide: Spain
Information
Dance Research Journal , Volume 34 , Issue 1 , Summer 2002 , pp. 98 - 100
Copyright
Copyright © Congress on Research in Dance 2002

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Caballero, Ángel Álvarez. 1998. El Baile Flamenco. Madrid: Alianza Editorial, S.A.Google Scholar
Caballero, Ángel Álvarez. 1981. Historia del Cante Flamenco. Madrid: Alianza Editorial, S.A.Google Scholar
Durand-Viel, Ana Mana. 1983. La Sevillana. Sevilla: Ayuntamiento de Sevilla.Google Scholar
Finca Manchuca/Spanish Ministry of Culture (producer). 1997. Rito y Geografia del Baile Flamenco. Quiñones, Fernando (narr.) Video series in collaboration with RTVE, España. 12 volumes. Murcia: Alga Editores, S.L.Google Scholar
Galía, Adrian. 2001. Paso a Paso los Palos del Flamenco. 21 pedagogical videos. Distributed by Flamenco-world.com.Google Scholar
Meri, La. 1948. Spanish Dancing. New York: A.S. Barnes & Company.Google Scholar
Martinez de la Peña, Teresa. 1969. Teoría y Practica del Baile Flamenco. Madrid: Aguilar.Google Scholar
Moreno, Maria del Mar. 2002. Conversations with the author. August 26; September 3.Google Scholar
Papenbrok, Marion. 1990. “History of Flamenco” and “The Spiritual World of Flamenco.” In Flamenco: Gypsy Dance and Music from Andalusia, 35–48. Portland: Amadeus Press.Google Scholar
Primo, Javier, dir. 2000—. Alma 100 (flamenco magazine). Madrid: Menos Uno Editorial, S.L.Google Scholar
Ruiz, Manuel Rios, ed. 1997–1998. La Caña de Flamenco (flamenco magazine). Vols. # 1–22. Madrid: Asociación Cultural España Abierta.Google Scholar
Saura, Carlos (dir.). 1981. Blood Wedding. [Bodas de Sangre] (motion picture). Piedra, Emiliano, (prod.); Gades, Antonio (chor.); Mañas, Alfredo (adaptation); Diego, Emilio de (music). Los Angeles: Cinematheque Collection/Division of Media Home Entertainment. (Spanish with English subtitles; color, 71 min., Spain 1981).Google Scholar
Saura, Carlos (dir.). 1983. Carmen (motion picture). Peidra, Emiliano (prod.); Gades, Antonio (chor.). Los Angeles: Cinematheque Collection/Division of Media Home Entertainment. (Spanish with English subtitles; color, 103 min., Spain 1983).Google Scholar
Schreiner, Claus, ed. 1990. “Introduction.” In Flamenco: Gypsy Dance and Music from Andalusia, 11–33. Portland: Amadeus Press.Google Scholar
Bennahum, Ninotchka Devorah. 2000. Antonia Mercé “La Argentina”: Flamenco and the Spanish Avant Garde. Hanover/London: Wesleyan University Press/University Press of New England.Google Scholar
Bias Vega, José and Ruiz, Manuel Rios. 1988. Diccionario Enciclopédico Ilustrado de Flamenco. Madrid: Creaciones Internacionales y Coediciones, S.A. Cinterco.Google Scholar
Durbin, Paula. 2001. “Flamenco: from Puro to Nuevo” and “Nacho Duato and Compañía Nacional de Danza.” Dance Magazine 75 (June): 46–53; 54–57.Google Scholar
Figgis, Mike (dir.). 1997. Flamenco Women (motón picture). Washington, DC: New River Media. (English; color, 52 min., Great Britain 1997).Google Scholar
Grande, Felix. 1979/1987. Memoria del flamenco II:Desde de Café Cantante a Nuestros Días. Madrid: Espasa-Calpe.Google Scholar
Lalagia, . 1985. Spanish Dancing: A Practical Handbook. Gray, Lyn (illustrations); Ivanova, Ana (ed.). London: Dance Books, Ltd. (Distributed by Princeton Book Company in the United States.)Google Scholar
Vittuci, Matteo Marcellus and Goya, Carola. 1990. The Language of Spanish Dance. Norman: University of Oklahoma Press.Google Scholar
Neville, Edgar (dir.). 1952. Flamenco [Duende y Misterio del Flamenco] (motion picture). Neville, E. and González, Cesáreo (prods.); Antonio, (dance dir.); Terry, Walter (English adapt.). Madrid: Sevilla Films. (Spanish with English subtitles; color, 79 min., Spain 1952).Google Scholar
Quintana, Berthe B. and Floyd, Lois Gray. 1972 Qué Gitano! Gypsies of Southern Spain. New York: Holt, Rinehart & Winston.Google Scholar
Saura, Carlos (dir.). 1994. Flamenco (motion picture). New York: New Yorker Films; also avail, from Flamenco-world.com. (Spanish; color, 100 min., Spain 1994).Google Scholar
Thiel-Cramér, Barbara. 1991. Flamenco: The Art of Flamenco, Its History and Development Until Our Days. Lidingö, Sweden: Remark AB.Google Scholar
Volland, Anita. 1985. “Bulerías: Form and Context of a Gitano Music-Dance Genre.” Gypsy Lore Society, Publication No. 2: 151–162.Google Scholar