Hostname: page-component-6bf8c574d5-h6jzd Total loading time: 0.001 Render date: 2025-02-21T21:34:59.219Z Has data issue: false hasContentIssue false
  • English
  • Français

Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y, by Naomi M. Jackson. 2000. Hanover, NH: Wesleyan University Press, xii + 288 pp., illustrations, appendices, notes, bibliography, index. $40.00 cloth, $19.95 paper.

Published online by Cambridge University Press:  22 July 2014

Judith Brin Ingber
Judith Brin Ingber
Affiliation:
Independent Scholar
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Dance Research Journal , Volume 34 , Issue 2 , Winter 2002 , pp. 113 - 117
Copyright
Copyright © Congress on Research in Dance 2002

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Green, Richard C. 2002. “(Up)Staging the Primitive: Pearl Primus and ‘the Negro Problem’ in American Dance.” In Dancing Many Drums: Excavations in African American Dance. Edited by DeFrantz, Thomas F., 105–143. Madison: University of Wisconsin Press.Google Scholar
Tomko, Linda J. 1999. Dancing Class: Gender, Ethnicity and Social Divides in American Dance, 1890–1920. Bloomington: Indiana University Press.Google Scholar