This article provides an overview of the evolution of the commons in the Italian peninsula during the sixteenth and seventeenth centuries. It focuses on the connection between the phenomenon of growing community debt, the loss of property held in common and the evolution of the institutions appointed to govern such properties. The later sections of the article will discuss the situation found in each of the Italian States: Venice, Spanish Lombardy, the Kingdom of Naples and the Papal States. Two models will be used for reference; one characterised by state intervention; the second by the growth of institutions of self-governance.

John Graunt's pioneering study, Natural and Political Observations Made upon on the Bills of Mortality (1662) has been overlooked as a source for ideas about the importance of child mortality in an urban environment. Graunt seems to have been the first to arrive at an infant mortality rate (IMR), but this has been little explored. Graunt helped to define ‘the urban penalty’, but not in terms of the IMR. The article explains Graunt's focus on other aspects of urban mortality in relation to his need to reassure those in government, his methodology, and above all his gender. For context, the article looks at attitudes to childhood among members of the influential Hartlib circle of reformers, with which Graunt was connected. These male writers were greatly concerned about children, but seem to have shared with Graunt the traditional idea that children under the age of about seven were the responsibility of women.

Over the course of the eighteenth century the Austrian Netherlands witnessed the emergence of specialised art auctions. In this article we argue that both the evolution of the auctions and of the prices paid for works of art at the auctions can only be understood as a response to changes in consumer culture during the eighteenth century. Although auctions rapidly gained in importance as a commercial arena through which Old Masters could be resold in Antwerp and Brussels, the prices paid for art saw only modest movement during the 1700s, but then collapsed at the end of the century. By analysing both how local demand for art in Austrian Netherlands failed to absorb the abundant supply of paintings during this period, and how this created a flourishing export market, the study reported here maps the mechanisms that ensured the – often permanent – movement of Flanders’ artistic legacy to collections and museums abroad.

Philippe Ariès’s Centuries of Childhood is now over 50 years old, but it holds its place as a pioneering study of childhood, education and the family. Furthermore, Ariès’s use of images continues to attract comment. This article reflects on the role of visual material in Aries's narrative, subsequent criticism, and more recent work in the field by both historians and art historians. Building on an important discussion of the same subject by Anthony Burton, published in Continuity and Change in 1989, it explores ongoing issues around the role of images as evidence for the histories of children and childhood.