Pierre-Jean Benghozi and Christian Delage, eds., Une histoire économique du cinéma français (1895–1995): Regards croisés franco-américains (Paris: L'Harmattan, 1997), 364pp., €28.97, ISBN 2-7384-5852-1. Laurent Creton, Economie du cinéma: perspectives stratégiques (Paris: Nathan, collection ‘Nathan Université’, 1994), 288 pp., €21.19, ISBN 209-190-219-5. Laurent Creton, Cinéma et marché (Paris: Armand Colin, collection ‘U’, 1997), 254 pp., €20.58, ISBN 2-200-01769-3. Eric Dubet, Economie du cinéma européen: de l'interventionnisme à l'action entrepreneuriale Paris: L'Harmattan, 2000), 286 pp., €22.87, ISBN 2-7384-9043-3. Martin Dale, The Movie Game: The Film Business in Britain, Europe and America (London: Cassell, 1997), 340 pp., $19.95 (pb), ISBN 0-304-33387-5. Jean-Michel Frodon, La projection nationale: cinéma et nation, collection ‘Le champ méthodologique’ (Paris: Odile Jacob, 1998), 248 pp., €20.58, ISBN 2-7381-0586-6. Andrew Higson and Richard Maltby, eds., Film Europe and Film America: Cinema, Commerce and Cultural Exchange (1920–1939) (Exeter: University of Exeter Press, 1999), 406 pp., £40.00, ISBN 0-85989-546-7. Albert Moran, ed., Film Policy: International, National and Regional Perspectives (London: Routledge, 1996), 286 pp., $24.99, ISBN 0-415-09791-6. David Puttnam, The Undeclared War: The Struggle for Control of the World's Film Industry (London: HarperCollins, 1997), 414 pp., £7.99 (pb), ISBN 0-00-255675-8. Jonathan Rosenbaum, Movie Wars: How Hollywood and the Media Conspire to Limit What Films We Can See (Chicago: A Cappella, 2000), 228 pp., $24.00, ISBN 1-55652-406-4.
