Published online by Cambridge University Press: 16 December 2009
This study investigates the complicated interplay between indigenous and mainstream discourse in the production of Taiwanese indigeneity. Via the case study of Syaman Rapongan 夏曼藍波安, an indigenous writer in Taiwan known for his ethnographic portrayal of his tribal culture, I examine how the production of indigeneity in Taiwan involves not only inscription of resistance from indigenous people but also strategic exploitations of transnational legacies by different social groups as they struggle over the definition of indigeneity to formulate their own specific agendas. It is the contention of this article that the question of Taiwanese indigeneity is not just about indigenous self-representation, that is, claiming the subject position of the indigenous people and seeking to restore declining, oppressed indigenous cultural heritages. The study shows that we need to go beyond the familiar scheme of binary opposition to deal with the complexity of the question of indigeneity. The article ends with a re-theorization of the relationship between indigenous and new Taiwanese identity discourse in terms of Jacques Derrida's notion of “inheritance.”
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23 For information about the celebration of Cheng He as a sea adventurer, see http://www.chiculture.net/0115/html/a01/0115a01.html.
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29 Brown, Is Taiwan Chinese? p. 2.
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38 See Brown, Is Taiwan Chinese? pp. 150–53. See also Li and Liu, An Overview of Taiwan History, p. 25.
39 The practice of using mixed languages in literary creation actually started as early as the 1920s when Taiwan was still under Japanese rule. Since then, the resuscitation of the spoken mother tongue has always been associated with political and ideological resistance in the history of Taiwan literature.
40 For a useful discussion of the nativist movement, see Chang, Sung-sheng Yvonne, Modernism and the Nativist Resistance (Durham, NC: Duke University Press, 1993), pp. 148–76CrossRefGoogle Scholar. See also Chiu, Kuei-fen, “Empire of the Chinese sign: the question of Chinese diasporic imagination in transnational literary production,” Journal of Asian Studies, Vol. 67, No. 2 (2008), pp. 598–601CrossRefGoogle Scholar.
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42 In fact, there has been a very uneasy tension between these two discourses as the risk of co-option of the indigenous movement by the growing Taiwanese identity movement is warily kept in sight.
43 Armstrong, Jeannette C., “Land speaking,” in Ortiz, Simon (ed.), Speaking for the Generations: Native Writers on Writing (Tucson: The University of Arizona Press, 1998), p. 197Google Scholar.
44 I would like to thank Professor Chaoyang Liao from Taiwan University for calling my attention to Jacques Derrida's theorization of “inheritance.”
45 Derrida, Jacques and Stiegler, Bernard, Echographies of Television: Filmed Interviews (trans. Bajorek, Jennifer) (Cambridge: Polity, 2002), p. 69Google Scholar.
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47 Ibid. p. 86.
48 Ibid. p. 26.
49 Derrida, Jacques and Roudinesco, Elisabeth, “Choosing one's heritage,” in For What Tomorrow – A DialogueGoogle Scholar (trans. Jeff Fort) (Stanford: Stanford University Press, 2004), pp. 3–4.
50 Rosalyn Diprose, “Derrida and the extraordinary responsibility of inheriting the future-to-come,” Social Semiotics, Vol. 16, No. 3 (2006), p. 442.
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53 Derrida and Roudinesco, “Choosing one's heritage,” p. 4.
54 Ibid. p. 3.
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