In the United States, organ transfer has generated a highly
selective and overly specialized approach to bioethics. A dominant
assumption is the myth of medical democracy: whereas professionals
involved in this highly technocratic arena publicly embrace notions
of medical equality, particularized practices expose another reality.
The more specific ideological tenets of medical democracy read as
follows: First, all potential transplant patients are equally deserving
of replacement organs. Further, all citizens are entitled to equal
access to these unusual commodities, which are regularly described
as precious and scarce “national resources.” Whether the
premises of medical democracy are in fact played out in daily practice,
however, is another matter entirely. Organ donation is driven by a
universalized sense of humanity, whereby all bodies are assumed
equal beneath the surgeon's knife. Yet the social worth
of individuals varies radically: children, pregnant women, the
unemployed, and prisoners, for example, expose a wide spectrum
of responses to certain categories of bodies. So, too, do the
cultural origins of organ donors. By drawing on anthropological
knowledge of sociomedical practices relevant to organ transfer,
this essay explores this theme of medical democracy specifically
in reference to the needs of Latinos in New York City.