Contributors
Contributors
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- 27 August 2008, p. ii
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Contributors
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- Published online by Cambridge University Press:
- 27 August 2008, p. ii
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Contributors
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- Published online by Cambridge University Press:
- 27 August 2008, p. ii
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Research Article
‘Poésie lyrique’ and ‘Chorégraphie’ at the Opéra in the July Monarchy
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- 27 August 2008, pp. 1-19
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Scylla et Glaucus: A case study
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- 27 August 2008, pp. 199-228
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Piccinni's Iphigénie en Tauride: ‘Chant périodique’ and dramatic structure
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- 27 August 2008, pp. 91-118
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Wagner's Nuremberg
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- 27 August 2008, pp. 21-41
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Gilda seduced: A tale untold
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- 27 August 2008, pp. 229-251
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The silencing of Lucia
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- 27 August 2008, pp. 119-141
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Billy Budd and the fear of words
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- 27 August 2008, pp. 43-59
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Wagner and the post-modern
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- 27 August 2008, pp. 143-161
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‘Entoiling the falconet’: Russian musical orientalism in context
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- 27 August 2008, pp. 253-280
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Cone's and Kivy's ‘World of Opera’
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- 27 August 2008, pp. 61-74
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Birtwistle's Gawain: An essay and a diary
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- 27 August 2008, pp. 163-178
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Janáček's speech-melody theory in concept and practice
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- 27 August 2008, pp. 281-301
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Operatic ambiguities and the power of music
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- 27 August 2008, pp. 75-80
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Composers and ‘composers’: A response to David Rosen
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- 27 August 2008, pp. 179-186
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Review
Ivan Nagel. Autonomy and Mercy: Reflections on Mozart's Operas. trans. Marion Faber and Ivan Nagel. Cambridge, Mass.: Harvard University Press, 1991. [Originally published as Autonomie und Gnade: Über Mozarts Opern. Munich: Carl Hanser Verlag, 1985.]
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- 27 August 2008, pp. 303-308
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Front matter
OPR volume 4 issue 3 Cover and Front matter
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- 27 August 2008, pp. f1-f3
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Review
Robert Donington. Opera and its Symbols: The Unity of Words, Music, and Staging. New Haven: Yale University Press, 1990. 248 pp.
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- 27 August 2008, pp. 81-85
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