Research Article
‘La cantante delle passioni’: Giuditta Pasta and the idea of operatic performance
-
- Published online by Cambridge University Press:
- 11 September 2007, pp. 107-138
-
- Article
- Export citation
‘In Italy we don’t have the means for illusion’: Grand opéra in nineteenth-century Bologna
-
- Published online by Cambridge University Press:
- 17 October 2007, pp. 199-222
-
- Article
- Export citation
Introduction: Divo worship
-
- Published online by Cambridge University Press:
- 01 March 2007, pp. 1-9
-
- Article
- Export citation
The opera of the film? Eugen d’Albert’s Der Golem
-
- Published online by Cambridge University Press:
- 11 September 2007, pp. 139-166
-
- Article
- Export citation
The pathological voice of Gilbert-Louis Duprez
-
- Published online by Cambridge University Press:
- 01 March 2007, pp. 11-31
-
- Article
- Export citation
The best of all possible worlds: The Eldorado episode in Leonard Bernstein’s Candide
-
- Published online by Cambridge University Press:
- 17 October 2007, pp. 223-248
-
- Article
- Export citation
‘A sort of guerrilla’: Che at the opera
-
- Published online by Cambridge University Press:
- 11 September 2007, pp. 167-193
-
- Article
- Export citation
The disappearing danseur
-
- Published online by Cambridge University Press:
- 01 March 2007, pp. 33-57
-
- Article
- Export citation
Killing time: Contemporary representations of opera in British culture
-
- Published online by Cambridge University Press:
- 17 October 2007, pp. 249-270
-
- Article
- Export citation
Book Review
Beth L. Glixon and Jonathan E. Glixon. Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. New York: Oxford University Press, 2006. pp. 424
-
- Published online by Cambridge University Press:
- 17 October 2007, pp. 271-275
-
- Article
- Export citation
Steve Swayne . How Sondheim Found His Sound. Ann Arbor: University of Michigan Press, 2005. pp. 336
-
- Published online by Cambridge University Press:
- 11 September 2007, pp. 195-198
-
- Article
- Export citation
Research Article
Verdi, Victor Maurel and fin-de-siècle operatic performance
-
- Published online by Cambridge University Press:
- 01 March 2007, pp. 59-84
-
- Article
- Export citation
Response: Men with a past
-
- Published online by Cambridge University Press:
- 01 March 2007, pp. 85-89
-
- Article
- Export citation
Book Review
Edmund Goehring. Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in ‘Così fan tutte’. Cambridge: Cambridge University Press, 2004. pp. xvi+280
-
- Published online by Cambridge University Press:
- 01 March 2007, pp. 91-96
-
- Article
- Export citation
The Cambridge Companion to Twentieth-CenturyOpera, ed. Mervyn Cooke. Cambridge:Cambridge University Press,2005. pp. xlvii+374
-
- Published online by Cambridge University Press:
- 01 March 2007, pp. 97-105
-
- Article
- Export citation