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“Chinua Achebe’s Beautiful Soul”

Published online by Cambridge University Press:  30 August 2017

Abstract

This essay revisits Chinua Achebe’s exemplary satire of African disillusionment, No Longer at Ease (1960). Published the year of Nigeria’s official independence from Britain, the novel describes how Obi Okonkwo, a civil servant and colonial subject, tries but fails at the threshold of independence to navigate a Nigerian modernity overrun with cultures of bribery, nepotism, and tribalism. Torn between the moral and financial demands of his rural, traditionalist kin and those of the colony’s urban elite, Obi succumbs to corruption, voicing his downfall and Nigeria’s botched independence through a sardonic self-acquittal. A frustrated idealist betrayed by the high promises of anticolonialism, Obi mirrors a lost generation of African writers and intellectuals, figures the novel satirizes for their self-absolving cynicism.

Type
Articles
Copyright
© Cambridge University Press 2017 

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References

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8 Ibid.

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21 One can find Morton’s clearest and most useful explanation of this concept—which makes its way throughout his recent work—in Realist Magic: Objects, Ontology, Causality (Ann Arbor, MI: Open Humanities Press, 2013).

22 For more on the concept of slavery and the osu in the novel, and in Achebe’s fiction more generally, see Osinubi, Taiwo Adetunji, “Chinua Achebe and the Uptakes of African Slaveries,” Research in African Literatures 40.4 (2009): 2546 CrossRefGoogle Scholar.

23 Achebe, No Longer at Ease, 57.

24 Ibid., 36.

25 Ibid.

26 Ibid., 37.

27 Ibid.

28 Ibid.

29 Olaniyan, Tejumola, “The Paddle That Speaks English: Africa, NGOs, and the Archaeology of an Unease,” Research in African Literatures 42.2 (2011): 4659 CrossRefGoogle Scholar, esp. 51.

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31 Barkan, Joel D., McNulty, Michael L., and Ayeni, M.A.O., “ ‘Hometown’ Voluntary Associations, Local Development, and the Emergence of Civil Society in Western Nigeria,” The Journal of Modern African Studies 29.3 (1991): 463 Google Scholar. The authors provide a short and useful historical background to the rise of African hometown associations: “In a pattern similar to that which unfolded elsewhere in Africa, initial efforts at self-help development in Nigeria were a response to the unwillingness of the colonial state to provide social welfare services widely, and coincided with the rise of African nationalism in the period immediately before and after World War II” (463).

32 Note, for example, Pierre Landell-Mills’s more optimistic interpretation: “The proliferation of associations at all levels . . . is a powerful factor constraining abusive central government authorities and the predatory conduct of dominant elites. By empowering groups throughout society to both voice their concerns and take direct action to achieve their ends, the trend is strongly in favour of more participatory politics, greater public accountability, and hence basic democracy,” in “Governance, Cultural Change, and, Empowerment,” The Journal of Modern African Studies 30.4 (December 1992): 543–67.

33 Barkan, McNulty, and Ayeni, “‘Hometown’ Voluntary Associations, Local Development, and the Emergence of Civil Society in Western Nigeria,” 457–80, esp. 459.

34 Achebe, No Longer at Ease, 38.

35 Ibid., 12.

36 Ibid., 14.

37 Ibid., 13.

38 Ibid., 14.

39 Ibid., 43.

40 Soske, Jon, “The Dissimulation of Race: ‘Afro-Pessimism’ and the Problem of Development,” Qui Parle 14.2 (2004): 1556 CrossRefGoogle Scholar, esp. 50.

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42 In this way, No Longer at Ease helps reframe and pushes against Joseph E. Obi’s prototypical, somewhat hasty claim that Africa’s literature of disillusionment suffers from a “poverty of vision,” making it “[fall] short of the demands of critique,” by which he means that such literature does not enact a form of what he calls “proper criticism (i.e., criticism informed by a clearly worked out normative position) [that] replaces the object of critique with an alternative view” (400–01). See Obi, Joe E., “A Critical Reading of the Disillusionment Novel,” Journal of Black Studies 20.4 (1990): 399413 Google Scholar. For more on Achebe’s critique of Armah’s contribution to Africa’s literature of disillusionment, see Achebe, Chinua, “Africa and Her Writers,” The Massachusetts Review 14.3 (1973): 617629 Google Scholar.

43 For more on this see Bennett, Jane and Shapiro, Michael J., The Politics of Moralizing (New York: Routledge, 2002)Google Scholar.

44 Achebe, No Longer at Ease, 159.

45 Ibid., 112.

46 Achebe, Chinua, Morning Yet on Creation Day: Essays (Garden City, NY: Anchor, 1975), 71 Google Scholar.