In 1994, H. de Lumley's teams of researchers finished the colossal task—initiated more than 20 years earlier—of recording every pecked rock engraving of Mont Bégo's rock art. The following year, in the book Le grandiose et le sacré, Lumley defined the site as a sacred mountain and attributed rock engravings, considered as ex-votos, to the Early Bronze Age and the Bell Beaker period. However, it is hard to recognize what interpretations can be directly drawn from the data: some exceptional rock engravings are considered as representative of the whole corpus of rock engravings and the most numerous ones are considered as a ‘bruit de fond’ [background noise]. Furthermore, recognition of associations—where rock engravings are contemporaneous and significantly grouped—had been criticised, and the hypothesis that all the rock engravings can be considered as a single archaeological event seems also to be contradicted by studies of superimpositions. We developed a GIS and a comprehensive database, with statistics, to identify specific spatial configurations, seriation effects and, finally, the evolution of the rock art. By going further in the periodization, our aim is to propose some provisional hypotheses about the meaning of Mont Bégo's rock engravings.

In Europe, cremation as a burial practice is often associated with the Bronze Age, but examples of cremated human remains are in fact known from the Palaeolithic onwards. Unlike conventional inhumation, cremation destroys most of the evidence we can use to reconstruct the biography of the buried individual. Remarkably, in Ireland, cremation is used for the earliest recorded human burial and grave assemblage (7530–7320 bc) located on the banks of the River Shannon, at Hermitage, County Limerick. While we are unable to reconstruct in any great detail the biography of this individual, we have examined the biography of a polished stone adzehead interred with their remains. To our knowledge, this adze represents the earliest securely dated polished axe or adze in Europe. Microscopic analysis reveals that the adze was commissioned for burial, with a short duration of use indicating its employment in funerary rites. Before its deposition into the grave it was intentionally blunted, effectively ending its use-life: analogous to the death of the individual it accompanied. The microwear traces on this adze thus provide a rare insight into early Mesolithic hunter-gatherer belief systems surrounding death, whereby tools played an integral part in mortuary rites and were seen as fundamental pieces of equipment for a successful afterlife.

This article examines the role of mortuary practice in the emergence (c. ad 1050–1100) of Cahokia, the largest pre-Columbian Native American city north of Mexico. The parallel partitioning of human and gastropod bodies in ridge-top mortuary mounds is examined and I argue that the presence of gastropods buried alongside human bodies served to connect the living world of humans with the watery underworld of the dead. From a microhistorical perspective, this paper focuses on the processing and deposition of bodies and their subsequent interment in ridge-top burials to parse the potential relationships between such mortuary practice and Cahokia's emergence as a complex polity. The paper presents data on the association of shell materials with human bodies from six previously excavated ridge-tops for comparison with new data on shell materials and human burials from Wilson Mound, a small ridge-top located on the western edge of Cahokia. Together, these data suggest the emergence of Cahokia was embedded in newly articulated relationships with persons enacted through the process of disarticulating the dead for burial mediated with mollusc shell.

Deposits are not always recovered whole; many are found broken and damaged. The obvious explanation is that such objects were accidentally broken; however, some have been interpreted as having been deliberately damaged by their depositors, a practice termed ‘fragmentation’. Objects are broken into parts and deposited incomplete, often in ways that make their missing parts starkly evident. Thus many fragmented deposits denote synecdoche. It is the position of this paper that the absent (part) is just as integral to an understanding of the whole as the present (part) is, and this notion is explored by focusing on the post-medieval concealed shoe: an item of footwear that was fragmented by being deposited within the fabric of a building without its counterpart, for reasons unbeknownst to us. Drawing on a sample of 100 examples, this paper questions why such shoes were deposited as singles (the present parts), what became of the ‘other shoe’ (the absent part), and how such consideration aids our understanding of this enigmatic custom.

The character and development of complex societies has been one of the major interests of Amazonian archaeology. This article presents an ontological interpretation to explain the socio-political organization and importance of ritual in the Santarém area, Lower Amazon, Brazil, during the late pre-colonial period (ad 1000–1600), drawing from the contributions of Viveiros de Castro on Amazonian ontologies and Pierre Clastres on the constitution of power in the South American tropical lowlands. This approach affords new insights into the spatial organization of large habitation sites, the settlement patterns of nearby smaller sites and the pragmatic role of ritual objects. The data point to demographic growth, elaborate spatial organization and the existence of independent villages, probably resulting from fissions. The distribution of objects used in ritual contexts suggests a network employing a mytho-cosmological iconography that emphasizes bodily metamorphosis, indicating a predatory ontology related to Amerindian perspectivism and the presence of institutionalized shamanism. The text argues for the existence of distinct cosmopolitical strategies used to maintain the egalitarian order and that the flows of knowledge, sacred artefacts and religious specialists within the wider social sphere structured regional relations.

The study of non-hierarchical forms of social organization occupies a prominent place in the European Iron Age research. This paper explores the application of Pierre Clastres political anthropology to the study of the Iron Age. The approach of this study to the Iron Age focuses on the northwest of the Iberian peninsula. It was an area that experienced social changes from 1000 bc to the first century bc–first century ad, from the Bronze Age to the Roman conquest. Using the archaeological record of the northwest Iberian peninsula as a case study, the paper tries to show the potential benefits of applying Clastres’ ideas to the interpretation of European societies from the Iron Age: overcoming, thanks to the application of the concept of non-coercive power, the false and increasingly frequent image of non-hierarchical societies and introducing new ways of explaining social complexity that are not based on economic criteria.

Archaeologists have long debated the potential role of iconographic repertoires in reconstructing prehistoric ontologies and symbolic systems. The rich and complex imagery unearthed at Pre-Pottery Neolithic Göbekli Tepe (Turkey) has offered a promising ground to address this issue further. Previous interpretations have focused on the symbolic meaning of the depictions, often highlighting their male-centred and violent connotations, while overlooking the spatial and performative contexts of the depictions. This paper engages with this scholarly work in order to propose a new interpretation based on the anthropological framework of relational ontologies and on the analysis of some stylistic and contextual aspects of the iconography. Based on these premises, the curvilinear enclosures of Göbekli Tepe are interpreted as places of encounter devoted to interpersonal relationships among human and non-human agents, enabled by the intermediary role of images. The use of particular techniques of visual representation—including cues of motion and an emphasis on three-dimensionality—along with the centripetal orientation of the animal figures contributed to the animation of the depicted animals and to a sense of convergence of human and non-human beings in the social space of the enclosures.

We present the analysis of 29 human-transported limestone pebbles found during recent excavations (2009–11) in the Final Epigravettian levels at the Caverna delle Arene Candide, Italy. All pebbles are oblong, most bear traces of red ochre and many appear intentionally broken. Macroscopic analyses demonstrate morphological similarity with pebbles used as grave goods in the Final Epigravettian necropolis excavated at the site in the 1940s. Mediterranean beaches are the most plausible source for the pebbles, which were carefully selected for their specific shape. Microscopic observation of the pebbles’ surfaces shows traces of ochre located on the edges and/or centres of most pebbles. A breakage experiment suggests that many pebbles were broken with intentional, direct blows to their centre. We propose that these pebbles were used to apply ochre ritually to the individuals buried at the site, and that some were subsequently ritually ‘killed’. This study emphasizes the importance of studying artefacts that are often ignored due to their similarities to simple broken rocks. It also provides a method to study pebbles as a distinct artefact category, and shows that even broken parts should be studied to understand the story told by such objects in the context of prehistoric human social systems.

Fragments of possible fired clay found at Boncuklu Höyük, central Turkey, appear to derive from rudimentary vessels, despite the later ninth- and early eighth-millennium cal. bc and thus ‘Aceramic’ dates for the site. This paper will examine the evidence for such fired clay vessels at Boncuklu and consider their implications as examples of some of the earliest pottery in Anatolia. The discussion will examine contextual evidence for the role of these fragments and consider their relative rarity at the site and the implications for the marked widespread adoption of pottery in southwest Asia c. 7000–6700 cal. bc.

In this article I review arguments in favour of the need and possibility of importing a revitalized concept of art in archaeological reasoning. By comprehending the concept of art as a function, rather than as a property inherent within particular kinds of objects or events, I offer a way of understanding art as the mode in which a phenomenon operates when its ontological multiplicity, its variety of equally real modes of being, becomes exposed. Seen in this vein, art emerges as an entity both created and experienced when several potential versions of a thing or event are laid bare. I emphasize that an element's capacity to communicate such factual intersectionality requires effort in order to endure; and argue that it is the formats for such ‘practices of maintenance’ that constitute art-worlds situated in culture. I also assert that these strategies, like all formalized engagements with material culture, generate traces, and accordingly can be grasped by analyses of an archaeological record. To illustrate this idea, I discuss the red ochre rock paintings from Neolithic northern Sweden made between approximately 6000 and 4000 bp by hunter-gatherer communities that were also producing petroglyphs.