Published online by Cambridge University Press: 16 September 2015
As we approach Alabaster's sonnets’ our expectation is enhanced not by the promise of poetic greatness but by the prospect of exploring pure instances of the kind of poetry born in the convergence of rhetoric and meditation. We will focus first on a sequence of sonnets remarkable for their rhetorical techniques; then we will consider a group of sonnets each of which has meditation as its subject. In all the poems, however, it will be apparent that Alabaster as poet is simultaneously rhetor and meditator.
1 The argument corresponds to that developed in the Ignatian Contemplation to Attain the Love of God; see note 34 to part 1 of this article
2
* Swad: a sixteenth-century term of abuse meaning, e.g., ‘lout’ (O.E.D).
3 S.E. [95].
4 S.E. [97].
5 John, J. English, S.J., Spiritual Freedom (Gueiph, 1973), p. 109.Google Scholar
6 Cf. the opening lines of Donne's ‘Goodfriday, 1613’: ‘Let mans Soule be a Spheare, and then, in this,/The intelligence that moves, devotion … ’ in The Complete Poetry of John Donne, ed. John, T. Shawcross (Garden City, 1967), p. 366.Google Scholar
7 S.E. [48].
8 S.E. [55].
9 S.E. [195].
10 S.E. [316].